Absolutely. As I said, great premise. But, it'll take someone really editting the script down and cutting down the contrivances. One of the biggest problems is that the two characters are supposedly doing this "concert" together in South Africa (why South Africa? Never explained) after meeting in an incredibly ridiculous and contrived way. The problem is that the black country singer grew up in the 50's and all of his scenes take place in the 50's when he's young, and the white African singer takes place in modern times. And there is absolutely NO mention of their age difference or really even WHY they're putting this show on together. A simple fix would be to have the two characters communicate and do this "concert" in a metaphysical way. Come on, it is theatre after all. Or better yet, there's no need to draw any correlation between the two characters AT ALL. The audience has already done that for you. The two stories can exist on the same stage and they can sing duets and everything and I don't think the audience would care. Those are some simple fixes (and many small others must be made) that would allow this great music to be heard. It would also bring new, talented songwriting blood into New York theatre, which we can all agree is a good thing.
Word. Word, indeed.