Thanks, Barihunk.
madophelia, sorry to have confused you. No feeling of condescention is there. I'm well aware that The Steppenwolf is one of the best, and that these are top notch performers. I don't think I presented it otherwise.
Regarding Deanna Dunagan's portrayal of Violet, I will agree that there were a few brief moments that hinted at some humanity, but they were spare, and the majority of her stage time was made up of "award winning" moments, where the character acts like a zombie, or throws a fit, or screams obscenities; and all together, it just didn't add up to the representation of a full, convincing human being. They were just blasting moments.
Amy Morton's performance on the other hand provided a convincing journey from start to finish. She had me with her through each of Barbara's moments, many of them similar to Violet's bursts, yet with Morton's performance, one moment took me to the next, everything that happened in between fit in with the telling of a story, leading to her next moment, and so on. Her performance told the story of a person.
I have seen performances in other shows where one character's journey is made up of one outrageous moment after another (one that comes to mind is Michael Stuhlbarg's in THE PILLOWMAN), yet, in those cases I was with the character through each moment, and in the end I was left with the portrait of a person. Dunagan's portrayal of Violet never left me seeing her as anything but a cartoon.
"Winning a Tony this year is like winning Best Attendance in third grade: no one will care but the winner and their mom."
-Kad
"I have also met him in person, and I find him to be quite funny actually. Arrogant and often misinformed, but still funny."
-bjh2114 (on Michael Riedel)
Updated On: 11/1/07 at 12:37 PM