Understudy Joined: 12/21/17
I find it really interesting when actors have a different voice than other actors in the same role, so they lower/raise the keys to fit them better, they option down/up for riffs or just simply sound very different to other actors who played the same role. What are some good examples of this?
Off the top of my head, I can think of:
That's a really interesting question. I would have to say Paulo Szot in South Pacific.
Broadway Star Joined: 9/2/11
I can't say for sure, but I think most of the Dollys that followed Channing had higher keys because her voice is unusually low for a woman.
Understudy Joined: 12/21/17
Hello Dolly is a great example, because I think the songs' keys were adjusted for each Dolly (or most I've heard).
I must say I haven't heard Paulo Szot in South Pacific, but I will definitely check it out — I'm guessing he sounds quite different since he's a baritone playing a (typically) bass role.
Toni Braxton in BEAUTY AND THE BEAST.
Stand-by Joined: 2/5/19
Jennifer Simard has a deeper, more monotonous tone when it comes to both singing and acting in the Adult Women tracks (Mean Girls), compared to Kerry Butler and Catherine Brunell.
I remember her Mrs. George specifically being airier / more whisper-y than anyone else who's played it (which is only two people, but still)
Broadway Legend Joined: 3/18/19
Desi Oakley has the deepest voice out of any Jenna that I’ve seen in Waitress.
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