"Ain't Too Proud" reviews

It sounds like it has similar strengths and weaknesses as the incarnation I saw at the Berkeley Rep, although I read that Des McAnuff said it had been extensively revamped. Marks' review gives it more credit for telling the band members' stories, albeit in by-the-numbers fashion. But the real reason to see this show is the ones Marks cites: Sergio Trujillo's fantastic choreography and some of the musical performances. Because I enjoyed that so much, and my wife and daughter liked it even more, I really hope the book can be improved. Why hire Dominique Morisseau if she's not given more of a chance to turn this story into something at least as interesting as Jersey Boys, and preferably something better?