Posted: 12/8/08 at 5:57pm
Posted: 12/8/08 at 10:22pm
Now Dollypop sits quietly in a corner and waits for someone to do a full-length studio recording of HIGH BUTTON SHOES, perhaps with Nathan Lane in the Phil Silvers role and Faith Prince doing Nanette Fabrey's role. Oh, and please include all the wonderful dance arrangements,
Thank you very much.
Remember: Good things come to those who wait.
Posted: 12/8/08 at 11:11pm
sad, when you come to think of it...
Posted: 12/8/08 at 11:44pm
Posted: 12/9/08 at 12:06am
You Are Never Away
Posted: 12/9/08 at 1:50am
The original cast recording was done when the record industry was still using 78-rpm discs which could hold about 4 minutes per side. RCA VICTOR recorded 5 records of ALLEGRO highlights -and they sound like bleeding chunks. (Imagine SWEENEY TODD being recorded that way!)
Because ALLEGRO was not a success in 1947, there were no major revivals, no film, and no TV version. So for the past 60+ years all we had was this OCR - and we barely had that. It was out as a set of 78's but in 1950 when RCA started releasing LP's, they did not reissue the ALLGRO album. It did NOT appear on LP until 1965 (in mono adn fake stereo.) That album was around a few years then deleted. RCA Red Seal re-released it in 1977 (finally using the show's poster art on the cover) but again it did not last but a few years in print.
The CD edition was timed to the celebration of the 50th anniversary of Rodgers and Hammerstein in 1993, and surprisingly it is still in print.
ALLEGRO - OCR
Cast albums are NOT "soundtracks."
Live theatre does not use a "soundtrack." If it did, it wouldn't be live theatre!
I host a weekly one-hour radio program featuring cast album selections as well as songs by cabaret, jazz and theatre artists. The program, FRONT ROW CENTRE is heard Sundays 9 to 10 am and also Saturdays from 8 to 9 am (eastern times) on www.proudfm.com
Posted: 12/9/08 at 2:14am
--http://www.benjaminadgate.com/
Posted: 12/9/08 at 1:24pm
Posted: 12/9/08 at 2:20pm
What's that?
She's playing the main character's best girl?
YES!
What's that?
She's playing a character who shows so much psychological promise in the first act, and then dissolves into a symbolic, bad character?
What's that?
SHE ONLY HAS ONE SONG?!
Oh. They have Audra McDonald too.
Oh, thank God.
What's that?
She only has one song to herself?
-Nellie McKay on the 2006 Broadway production of The Threepenny Opera, in which she played Polly Peachum
Posted: 12/10/08 at 1:49am
And yeah a lot of the roles were given to one song only to add focus back on the main characters--it was controversial at the time too (and maybe a prob for its floppage, although I knwo both characters had a lot of dance)
Posted: 12/10/08 at 11:53am
Posted: 1/19/09 at 11:40am
Posted: 1/19/09 at 11:47am
Posted: 1/20/09 at 5:11pm
Posted: 1/20/09 at 5:13pm
Posted: 1/20/09 at 5:19pm
Posted: 1/20/09 at 5:21pm
Posted: 1/20/09 at 5:39pm
Posted: 1/20/09 at 7:05pm
Cast albums are NOT "soundtracks."
Live theatre does not use a "soundtrack." If it did, it wouldn't be live theatre!
I host a weekly one-hour radio program featuring cast album selections as well as songs by cabaret, jazz and theatre artists. The program, FRONT ROW CENTRE is heard Sundays 9 to 10 am and also Saturdays from 8 to 9 am (eastern times) on www.proudfm.com
Posted: 1/20/09 at 11:33pm
Or is this just a pipe dream?
lol Sorry, I just couldn't resist............. heh heh heh
Posted: 1/21/09 at 12:21am
Don't forget Me and Juliet. The score featured Keep It Gay long before Mel Brooks' number, though it had an entirely different meaning. I think.
Posted: 1/21/09 at 9:46am
BroadwayWorld TV