Interesting insights from the book of Edward Behr ( LES MISERABLES : History in the Making), the definitive book written in cooperation with the producing and creative teams ( headed by Mackintosh, Boublil and Schonberg), where he traces the origins and evolution of the stage musical which opened at the Barbican in 1985. Check out Page 95 --
>>>>One of the basic rules of casting is that it's fatal to make up one's mind hastily, on the spur of the moment, or on the basis of a vague hunch; endless patience, a gambler's luck, and a fatalistic streak is required. Shortly before rehearsals started, Trevor Nunn asked Tim Rice for advice. As Rice remembers it, Nunn gave him a thumbnail description of the character of Jean Valjean as follows : 'What's needed is someone who looks like a convict, is very strong, can carry a guy weighing thirteen stone on his back around the stage and still sing beautifully'. Rice immediately said 'That's Colm Wilkinson.'
At this time, Wilkinson was best known as a kind of an Irish troubadour...
'The minute you started to sing at the audition, Trevor told Wilkinson later, 'we all know we'd found Jean Valjean.' He sang the ' Anthem' song from Chess, then Schonberg took him through some of the Les Mis songs in Act One. Wilkinson's natural golden tenor voice excited all those present, though Schonberg was aware that there would be considerable musical rewriting to be done : originally Valjean had been cast as a deep baritone. Martin Koch, the musical director, and John Cameron, the orchestrator, rewrote large chunks of the music, putting it in a higher key.<<<<
Interesting to note that the Valjean role was originally written as a deep baritone!
Updated On: 7/8/11 at 02:32 PM