I saw it. Thought Anthony Warlow was great. This was my first time seeing Fiddler onstage, so I can't compare him to Zero et al., but I really enjoyed his performance. The many wry/understated moments seemed vaguely similar to my vague memories of Topol's performance in the film. I had bad, distant seats in the grand circle myself, but his 'small', 'private' asides and reactions to God and the audience carried to me without seeming over-the-top. (I'm not basing this idea on any evidence, but I wonder if he'll be under consideration to replace Danny Burstein on Broadway if/when Danny leaves?)
The rest of the cast was fine. TBH, it's a little more difficult to form an opinion on the other performances, as the other roles don't get as much opportunity to sell it to the back row, which was almost where I was. Lior, who's apparently a local indie popstar, was a bit underwhelming as Motel, but he wasn't terrible. Monica Swayne (Hodel) was fine, though IMO she doesn't happen to have the beautiful tone that, for me, might have made 'Far from the Home I Love' a highlight (not her fault of course).
I wasn't in love with the set, which surrounded the stage on three sides with wooden panels as if everything was being played in a small, unattractive town square in Anatevka. Maybe it worked better from the stalls. Or maybe the theatre design limited the set designer somewhat. At the end, when everybody was leaving the village, the back panels pulled back/apart slightly to show slight gaps between the 'houses' with a bit of distant horizon visible behind, but I'm not sure what that was meant to convey. Maybe that was just a technical gaffe in an early performance, and the panels were meant to disappear completely and strand everybody in a daunting open landscape or something.
Updated On: 1/3/16 at 01:40 AM