This isn't from Broadway or even professional theatre, but it's fun.
Our college theatre group was doing "110 in the Shade" and the kid who was playing Jimmy dropped his drumstick. The fellow playing H.C. got up, said "I'll get that", picked it up, and handed it to Jimmy as if nothing unusual had happened. Great cover.
I was also at the Metropolitan Opera fora performance of "La Gioconda" that turned out to be one of its most unusual -- and famous -- performances.
My mother was a great Domingo fan -- she would hve gone to see Placido Domingo read the phone book. So wewent to the Met one night to see La Gioconda because Domingo was singing.
Well, he had a cold and after the first act, he couldn't go on anymore. They ahd anotehr tenor on the roster named Carlo Bini, who was in the audience to study the stage business because he was doing the role later in the season.
They grabbed Bini out of the audience and threw Domingo's costumes on him. Now, Domingo is a fairly big guy and Bini, well, isn't. You could see the pins holding the costume in place!
Because Bini didn't know the stage business, the soprano, Mignon Dunn, was leading him around and "spotting" him in the places he was supposed to stand.
Then the unthinkable happened. People started to boo. (You don't boo at the opera.) The blue-haired little opera ladies rolled up their programs and started to hit the booers.
Bini stopped the performance and went downstage center to talk to the conductor, who happened to be Italian like Bini. The conductor turned and in a perfect Chico Marx voice said, "You no like it, you no gotta clap. But you no boo! No boo!" Then he turned and resumed the performance, with Miss Dunn continuing to lead Mr. Bini around. This spectacle happened twice.
Not long after the second time, the most famous piece in "La Gioconda" -- "The Dance of the Hours" -- began. Now, if you're of a certain age and turn of mind, yu recognize that piece: "Hello muddah, hello faddah." This is when I fell off the chair laughing hard.
All it needed was for Harpo Marx to come flying across dropping teh wrong sets and the night would have been complete.
In the Times the next day, Mr. Bini described it as "a very funny performance." Yeah, you might say that.
Updated On: 10/9/08 at 01:29 PM