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BKLYN

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Lorelai
#50re: BKLYN
Posted: 1/30/05 at 3:57pm

I must agree...the performers make the show. All of them are wonderful but Eden and Ramona clearly are standouts.
I've seen the show several times, two time this week. Before you all react...the first time (Sunday night) was for charity and the second i was just able to get a dirt cheap tickets. Sunday night was truly amazing, the cast sounded wonderful. Is it me or do actors seem to push themselves more when it's a special performance. I mean, since a lot of them are held on Sunday night or Monday, other performers have the chance to see it since they are off. the second time i went eden was out, her understudy was good, but i seemed like she strained a bit when it came to higher notes, she even took one or two part down an octave. Say what you will about eden but she sure does make it look easy and the same with ramona. The two of them are just great. I also feel like Karen Olivio got cheated with such a small role though.


(formerly bronte604) "You really just love money and power and capitalism? You know they're never going to love you back." "Things happen for the best...I don't even believe that myself."

BSoBW2
#51re: BKLYN
Posted: 1/30/05 at 4:05pm

I love Streetsinger

I can't wait to see it - even though I was so against it and would not see it EVER - I am starting to get really excited once I heard the music...what a shame, I threw the demo Cd out thinking it was trash!

I will post a review after I see it....

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pab
#52re: BKLYN
Posted: 1/30/05 at 4:05pm

For some people BKLYN would have probably made a better concert. It's the fact that the script and the lyrics are so god awful that is just hard to get past those two major elements.


"Smart! And into all those exotic mystiques -- The Kama Sutra and Chinese techniques. I hear she knows more than seventy-five. Call me tomorrow if you're still alive!"

BSoBW2
#53re: BKLYN
Posted: 1/30/05 at 4:08pm

Heart Behind These Hands isn't too bad either

IveGottaBeME
#54re: BKLYN
Posted: 1/30/05 at 6:50pm

i love Brooklyn in the blood... the part when Eden flips out, "cuz iiiiiiiiiiiiiiiii goooooooooooooooooooooottttttttttt" lol... thats great. what's the slow song where it's a capella? "and when the snow falls down...." etc.

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kim1061
#55re: BKLYN
Posted: 1/30/05 at 7:08pm

i agree with Bronte, i wish Karen got a bigger part. she is really good.
Ivegottabeme- i don't remember the name but i really like that song.


A dancer might dream to see her name in lights and mean it, but all she really dreams is to make someone else feel the way she did when she first saw a dancer. And that is so beautiful-Anonymous

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emo_geek
#56re: BKLYN
Posted: 1/30/05 at 7:17pm

Bklyn was one of the most amazing shows I saw while I was in nyc (and yes I saw the greats: Avenue Q, Wicked, Hairspray) and I just have to say people sit down with a mind of: this is going to suck (I was one of them) and whjen the leave well alot of those people are saying somthing else.


"I never had theatre producers run after me. Some people want to make more Broadway shows out of movies. But Elliot and I aren't going to do Batman: The Musical." - Julie Taymor 1999

Mobstar
#57re: BKLYN
Posted: 1/31/05 at 8:57am


OK I surrender. In the past I have been occassionally critical of the play, still I think for good reasons. There are some holes in the story, I wasn't crazy about "tears watering roses"(twr) and I still hate the Mommy, Mommy part.

But I must say, I saw the play once again on Saturday, Jan 29th 2PM and I have a change of heart. It really is such an uplifting, fun and different play that it must last on Broadway. "There's just nothing like it around"...and I know when you write a line like that it only opens you up for jabs....but on Saturday, the crowd just seemed to LOVE the play. I think I spent more time looking around at the crowd as I did on stage and I saw lots of smiling faces and lots of applause throughout. It just seemed to click on Saturday and people loved it. At the end everyone in the theatre stood up and applauded, no one pulled them out of their seats and made them do it.

I didn't hear any growns as I have before when the near end line of TWR ...because Julie, Eden's understudy said it with a smile and bit of jest in her voice. In my few times seeing Brooklyn it's the first time I've heard it said that way or maybe it was the first time I was listening....but that line now worked, because it wasn't trying to make a dramatic point, it was a cute line between a daughter and her father. It was a way to wrap up the play from the TWR line in the begining. I don't know if Eden says it the same way and I would love to hear from people who have heard Eden recently and know if she does.......but it just worked that time.

Brooklyn, I must tell you, the "Mommy, Mommy" thing still bugs me and from looking around the audience and speaking to the many people I was with that day, that part was uncomfortable for them. Without being pushed, each person I was with mentioned that as being the only thing they didn't like about the play...it made them feel awkward and uncomfortable. Even when I looked around the theatre at that part, I saw more people rubbing their heads. Although some of that part is sweetened with humor to take away the bad taste....Too bad you can't at least shorten it and maybe not jump up and down on the bed so much...Oh yeah, a couple Less "Mommy" words would be nice too. If a producer reads this I do hope you will give it some thought. Just an opinion but I do believe shortening it will only strengthen your play.

Thanks Brooklyn, to the many people who write on this site. They gave me insight to look at different aspects of the show, or how things connect from one scene to the next. I think all those things helped me to reexamine and connect with the play more.

The stage direction, the movement of the sets is just candy for the eyes.
The Music becomes more and more pronounced and fulfilling everytime you hear it. Kevin's "Stay in the Shadows, or in the light" never sounded more beautiful, and really I think has become a defining song for the play. Superlover is great if you just let yourself have fun with it and the variety of music from gospel to pop is just a unique way to hear new music.

For those who doubt, I only suggest you see it again...yes of course get RUSH tickets and go to a matinee so you don't have to pay so much, but see it again and maybe you'll see it in a different light....but maybe not....it's hard to change peoples opinion, and I know that many have their own ideas of what not only Broadway should be but must be. And yes I know, you think Brooklyn won't last and you hate "Mommy, Mommy" as much as me.

So I'll keep praying that Brooklyn keeps going. For those who disagree,
God Bless You, I'll come see the plays you like too....for those who love Brooklyn, pray for it to keep going, not just because we love it, but because it's just adds another dimension, a different kind of show to Broadway.

Oh yeah, and if you agree, maybe you could pray about shortening that
"Mommy" thing too or start a campaign! Thanks for reading.

Brooklyn Believer

sports620
#58re: BKLYN
Posted: 1/31/05 at 9:49am

Does anyone know how in demand the rush tickets are for brooklyn. I’m sure not at all, but do you think I can just go get them at 5pm for that night instead of when the BO opens at 10?

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SWTaffy
#59re: BKLYN
Posted: 1/31/05 at 10:08am

I think Karen has one of the toughest jobs on that stage. She is constantly doing something either singing, dancing, moving props,etc. I think the may be two scenes when she's not on stage AT ALL.

I wish she had another song but how great are her MC moments!


It's worth a shot/ :) www.freephotoiPods.com/?r=15009978

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boatsintheghetto
#60re: BKLYN
Posted: 2/3/05 at 10:01am

Hey all,
I may be seeing BKLYN this saturday, so if someone knows where i can meet the cast could they IM me at
AIM: boatsintheghetto
MSN/Email: boatsintheghetto@netscape.net


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