I had noticed this a few weeks ago, when perusing a list of the Tony winners for Best Actress in a Musical. my friend and I were discussing how the roles that are rewarded for women involve belting and crying. there have definitely been comedic roles actresses have won the Tony for (Sutton in Millie, anyone?), but I think in this list...it's Victoria Clark who sticks out like a sore thumb in a sea of belters. (and, I suppose, one could argue Marissa Jaret Winokur, since she beat an actress playing a legendary role that runs the emotional gamut.)
(I'm not trying to make a huge statement about this. it was just interesting to me)
2000: Heather Headley - Aida
2001: Christine Ebersole - 42nd Street
2002: Sutton Foster - Thoroughly Modern Millie
2003: Marissa Jaret Winokur - Hairspray
2004: Idina Menzel - Wicked
2005: Victoria Clark - The Light in the Piazza
2006: LaChanze - The Color Purple
2007: Christine Ebersole - Grey Gardens
2008: Patti LuPone - Gypsy
2009: Alice Ripley - Next to Normal
When I see the phrase "the ____ estate", I imagine a vast mansion in the country full of monocled men and high-collared women receiving letters about productions across the country and doing spit-takes at whatever they contain.
-Kad