"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle
Oh, come on. Larson doesn't have a large enough body of work to qualify. He might have developed into one of the greats, but you can't compare him with Sondheim as is.
I'l like to submit Kander and Rodgers for consideration.
Updated On: 2/11/05 at 05:25 PM
I think a Larson/Sondheim comparison is VERY fair. Jon never got to compose as much as Sondheim, but it's very clear that Jon had just as much talent. So I agree its a toss-up between those two.
I wouldn't say Larson because although I adore his work, he was only able to really do 2 shows, so I wouldn't say that those two works qualify him to be the BEST composer ever - but I do adore his things.
I don't have one best composer EVER, that's a tough question. Although certainly I enjoy Sondheim's body of work the most, "best" also pertains so many others.
Rodgers and Hammerstein Sondheim Leonard Bernstein Jule Styne, etc. Jerry Herman Andrew Lloyd Webber Irving Berlin Cole Porter
and on and on...
"If you are going to do something, do it well. And leave something witchy."-Charlie Manson
You can't give Larson credit for shows he never wrote, so no, the comparison is not valid. What ifs are nice for speculative purposes, but if you're talking about best Broadway composers ever, I think the candidates need to write more than one show that's been on Broadway.
"Picture "The View," with the wisecracking, sympathetic sweethearts of that ABC television show replaced by a panel of embittered, suffering or enraged Arab women" -the Times review of Black Eyed
But you have to consider with Larson what he might have done for musical theater. HE had potential to the next sondeheim. And he wrote 3 shows. And one of his shows ahs been on broadway for what 9 years. thats not bad for 2 shows.
CAGES OR WINGS? WHICH DO YOU PREFER? ASK THE BIRDS. FEAR OR LOVE, BABY? DON'T SAY THE ANSWER, ACTIONS SPEAK LOUDER THAN WORDS.
Potential doesn't equal achievement. You can say "what if" about any composer. It doesn't make them actually do it.
How the heck can you compare "show never written" and "show he could have written" to Chicago and Cabaret, for instance? You can't. He didn't write them. It's unfortunate, and probably a loss for Broadway, but it still didn't happen, and saying it could have doesn't make for valid comaprisons.
Updated On: 2/11/05 at 05:39 PM
Stephen Sondheim-forever Richard Rodgers-old Leonard Bernstein-old Stephen Flaherty-new
"Did you know that if you take the first two vowels in Olive and rearrange them it spells I-Love?"-Spelling Bee
"It's night like this that hotel bars were specifically made." Light In The Piazza
I'm pretty sure Sondheim has his own newsletter. I know he has groupies, since I'm one of them. And since when does having a big following make you the best Broadway composer ever? Sondheim.comUpdated On: 2/11/05 at 05:42 PM
But you have to consider with Larson what he might have done for musical theater.
No, I don't believe you have to consider it at all. As Plum said, you can give someone credit for work they never did. For all we know, if Larson had lived, all his subsequent musicals could have been awful bombs. You can't really call someone the "best composer ever" based on only one complete work.
That said, I'm going to see tick, tick...BOOM! tonight and I'm very excited.
BlueWizard's blog: The Rambling Corner
HEDWIG: "The road is my home. In reflecting upon the people whom I have come upon in my travels, I cannot help but think of the people who have come upon me."
And you think of all of the things you've seen, and you wish that you could live in between ,and you're back again only different than before...
After the Sky.
-Into the Woods (Jack)