Oh, hell, add me to the Dreamgirls chorus -- Bennett's staging was the closest thing to a movie on stage that I've ever seen with split second cuts between on stage and backstage, 20 locations, montages, zoom shots, jump cuts mid-scene to new locations (who can ever forget that mind-blowing 5 second quick change when the fringe curtain descended during the "Heavy" montage?) ...... Bennett already did 90% of the work for whomever the eventual film director is going to be.
Along the same lines (and it'll never ever happen) Bennett's staging for "Follies" would be an extraordinary challenge for a film director to chew on -- ghosts and flashbacks and dream sequences, with the past and present coming together and informing one another, huge Ziegfeld (Weisman) Follies - esque numbers, powerful dramatic scenes, solo turns, a cast of hundreds ..... it would either be the greatest film musical ever made or an absolute disaster. James Goldman's book has always been the show's Achilles's heel, but a great screenwriter might be able make it workable. In some ways, it's so complex, it actually (in the right hands) might be more coherent and make more sense as a film than as a stage show, but I can't imagine anyone being crazy enough to want to take it on.
"What a story........ everything but the bloodhounds snappin' at her rear end." -- Birdie
[http://margochanning.broadwayworld.com/]
"The Devil Be Hittin' Me" -- Whitney