I said I would actually go see the show before forming an opinion about this woman who made my ears hurt on the website. I hated the movie "Life Aquatic" for so long but then I went and saw it and liked it so I'm doing less prejudgements. This is a cute little show. I think the "Sutton" is fine. I didn't find anything to rave about but she didn't disgust me. I think her voice is very ordinary. But, does anyone else notice anythign unusual about her vibrato. That can be a little annoying sometimes. A high note at the end of the song closing the first act she sounded like she struggled with. It was not all there and it was unfortunate to hear. That's all though. The most annoying singer in the show ended up being the unfortunate gentleman who played Laure. I thought he had that typical cliche Broadway gay tenor voice with the back of the throat vibrato that I am just so tired of hearing. I loved the design of the show. It may have been a little long though. Good job I thought.
I agree about Laurie...disagree about Sutton, but maybe she had it when I saw the show, or maybe I just didn't notice it. I totally feel the same way with Laurie, but I guess they were going for "classic" with him. The one who got on my nerves the most was Amy McAlexander...her voice was so obnoxious, can we say Shirley Temple? And I was incredibly to surprised that her voice is pretty much like that when she talks in real life, I just thought she was putting it on the play younger.
She spoke every consonant so hard that it just got annoying. Why are musical theatre people obsessed with spitting out these consonants? The idea is to understand the word spoken without actually hearing sounds stick out.
The weird vibrato you hear in Sutton's voice is called a wobble. It's what happens when the vibrato does not come from the appropiate resonating chambers in the face -- but from the throat. Unfortunately, the presence of the wobble could cut her singing career short, because the strain on the vocal cords is quite harsh. I'm sure she's working with a voice coach, so I'm surprised that I heard the wobble (and that someone else didn't catch it and stop her). Or, it could be the reason that they are increasing her mic levels instead of allowing her voice to naturally crescendo.
i didn't think amy was horrific... i thought her characterization was dead on... however... on my "preview survey" i but in bold letters AMY'S DICTION IS SO OVERDONE... TONE DOWN THE CONSONANTS... sutton's wobble is really noticeable watching her jaw too... oy
Hmm Macy, I've always found Sutton's voice to be very forward, and resonates well in the chambers of the face. It's mix-y without sounding extremely mix-y, if that makes any sense. But I haven't heard much from Little Women, so I don't know about in this show. In Millie, I thought it sounded very healthy. Maybe these songs are way out of her range.
Bronx: Lose the quotations around "Sutton". Calling her "Sutton" and "this Sutton person" is really condescending. Like someone said earlier, I'm sure she is a real person.
"When you're a Jet, / You're a Jet all the way, / From your first pirouette / To your last grand jete." --Brian Kaman
eh, why even bother. poor fool does it just to get much needed attention...
on that note:
CLANG! CLANG! CLANG! WENT THE TROLLEY... DING! DING! DING! WENT THE BELLS...ZING, ZING, ZING WENT MY HEART STRINGS...FROM THE MOMENT I SAW HIM I FELL...CHUG, CHUG, CHUG WENT THE MOTOR...BUMP, BUMP, BUMP WENT THE BRAKE. . .
Here's my question: Does she always have one eyebrow an inch higher than the other, or does that only happen when she smiles? I see it in every photo of her. Is it some sort of facial paralysis?
Lol -- I noticed the eyebrown thing too! Weird. Maybe someone told her to do that.
Blair -- As for the mix-yness of her voice in "Millie", I do know what you're talking about. On the recording, she has some nice transitions between her head an chest voice, but I have to say that in Little Women, that mix-yness is not as present.