** Brooklyn The Musical - 10/7 My Review ** — Page 2

"Nice review! I want to see this sometime soon. From A LOT of the reviews I've read, it seems like a pretty good show."

Thanks. It's a great show

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To all the shills.
Brooklyn has a talented cast but that is all it has going for it.
I hope they can improve or it will close pretty fast.
Ramona Keller is fantastic so is Eden but that story.
OH AGONY.

I could not disagree with you two more

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Wow!
I just found a connection between my two fav. shows:

Little Shop's 2003 CD was out October 21st 2003
And Brooklyn is opening October 21st 2004!

:)

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do they have the big program for Bklyn yet at the theatre?
If not, when will they?

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"do they have the big program for Bklyn yet at the theatre?
If not, when will they?"

They don't have a program yet, but they will soon (like every other new show). You can buy their merch. online at

http://www.theatremerchandise.com

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It will stop, eventually.

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Updated On: 10/9/04 at 12:48 PM

TinyToon,
I agree with you, I saw the Brooklyn last night 10/8. This was my second time. It was fantastic. The performances are over the top. Standing ovation at the end of the night. Sold out house. The show is about total entertainment. They have made some changes over the past few weeks. If you just enjoy the cast and music and don't get crazy over the story line, it is a GREAT evenings entertainment. I am going back in November.

I was also at this particular performance of Brooklyn and my fondest wish after about the first five minutes of the show was that somehow, someway they would toss me out the noose that one of the characters commits suicide with, so that I could follow suit. Is this why there isn't an intermission, so people won't leave in the middle of it?

I quite literally had to take Excedrin as soon as I walked out of the theater.

I know that seems harsh but I just couldn't get past how totally incomprehensible the book is (and how elementary school the dialogue is "sometimes tears can make roses bloom", oy vey), how something that purports itself to be a fairytale includes a heroin addict, flashbacks to Vietnam and killing people, suicide, preachy speeches about what's wrong with America, etc. If they had said from the outset it was a Grimm fairytale that'd be one thing, but when they set it up so that it's a Disney-esque "magical" type deal, then I expect something a wee bit different. I don't understand how a show that can use the words "cunnilingus" in a song can't say "mother****er" (as one of the punchlines to a "joke").

The cardboard boxes some of the set pieces are scrawled on seemed to have more dimension than any character on the stage. What is the character arc in this show? How does anyone change, grow, devolve? They all start off one way and that's exactly how they end without a blink in between. One is pure angelic goodness, one is "bad" (if having an attitude and being selfish is considered "bad", I suppose) and the rest are so inconsequential I'm not sure they count as total characters.

I found the audience to be rather subdued, considering how people have mentioned standing ovations in the middle of the show or applause so loud it stopped the show. I kept waiting for that to happen and it didn't.

It's a shame because the performers are obviously much, much better than this material (singing wise, at least, acting - some of them, not so much). If this had perhaps just been a concert of songs, it wouldn't have been very memorable music, but it wouldn't have had the added onus of the book to drag it down either.

I don't know that I've ever clapped harder at the end of a show, but that was because I was just grateful it was over.

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Oh, Al. "Wicklyns"? I'm stealing that and using it as my own.

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Will do!

Oh, and Tiny-Toon the box office suddenly has a ton of orchestra seats for next week if you wanted to go again.

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Guys, guys, guys. Listening to Eden sing her face off is just incredible and the rest of the cast is fantastic, too. However, i just shake my head at the overall production. Could they possibly throw anything else in your face or cram one more cliche into the two hours? The music itself isnt wholly terrible, but the lyrics are heinous- and in most cases make little or no sense. I realize not everyone is a Sondheim, but these are just crazy. I am saddened by the lack of intelligence in theatre as of late- how can we allow bway to go from the creative, witty, and downright smart lyrics of Caroline, or Change to "heart behind these hands"...i mean, what hands? he never used his hands...and thats just the tip of the giant heart made of protective roadway barrier. The vocals and harmony are incredible and musical arrangements wonderful to listen to, but i just think there was a genuine lack of thinking when they wrote the lyrics. Also, i might add that a lack of intermission could have been purposeful for more than one reason...and lucky for them, it worked.