Spider, now your next hurdle is selecting which Candide recording to purchase. I have seven in my collection, and every recording reflects a different version of the material. Songs are dropped and added, or feature different lyrics, or different placement within the material.
My favorite is STILL the original Broadway cast recording, which is quite different from the version presented tonight. The Scottish Opera version has a lot to recommend it, but is missing some key passages, like the entire Auto-da-fe, but does have "Martin's Laughing Song," "Nothing More Than This," and "Ringaroundtherosie" none of which were presented tonight. The City Opera version has some mic problems, but is probably the closest to this version of the material. Bernstein's version on DG is the most comprehensive, but really is done in by plodding tempos.
The 1973 Broadway revival recording (not on CD), has the entire show (save for "We Are Women" and "Dear Boy"), but some incredibly poorly sung performances, and a reduced orchestration. The 1999 Broadway revival recording is pretty deadly. I have the National Theatre recording and like some aspects of it, but still return to the Original Broadway cast recording and the Scottish Opera version.
I enjoyed the concert version tonight, although Lupone was all over the place in "We Are Women," never settling comfortably in head or chest voice.
"Gif me the cobra jool!"
Updated On: 1/12/05 at 10:08 PM