#26
Posted: 3/18/13 at 9:33pm
Having seen "Chicago" both on tour and on Broadway, they are basically the same, for the most part. The thing about "Chicago" is that the choreography (and there is a great deal of it...despite what some critics might say)is not completely frozen. Cast members are allowed to present their own interpretations from time to time. Each "Roxie" or "Velma" can add their own special touches..subtle at times, but they are there. Granted some celebrity "Roxies" perform at a basic level...and not the full-on choreography as the Broadway/tour veterans. There IS dancing...subtle and full-on. The hallmark of the Fosse style is simplicity in movements on many occasions. But to me and to the many "Chicago" fans, the dancing is magical. Someone mentioned that many take long running shows like "Chicago" for granted. I took the show for granted, not even considering seeing it the first few years I visited NYC. Now, having seen it for the first time in 2011, I can't get enough of it. I could kick myself for not having seen it early on. So, if I'm effusive of my praise of "Chicago", it is because I've learned to appreciate what it has to offer. from RC in Austin, Texas
"Noel [Coward] and I were in Paris once. Adjoining rooms, of course. One night, I felt mischievous, so I knocked on Noel's door, and he asked, 'Who is it?' I lowered my voice and said 'Hotel detective. Have you got a gentleman in your room?' He answered, 'Just a minute, I'll ask him.'" (Beatrice Lillie)