I saw it in a very good Pittsburgh CLO production and realized that it's not a very good show.
It's one terrific song after another, but they aren't as integrated into the story as well as the songs in "King and I" or "Carousel" or "Oklahoma" are.
I only knew it from the long, rather boring, weirdly tinted Josh Logan movie. So, seeing the original book was where the disapointment came in.
She doesn't find out that the little half-caste kids running around are his until right before intermission, which makes her "I can't marry you!" seem as contrived a plot complication as you had in any of the musical comedies from the 1920s.
And with all that happens in the second act, her deciding to stay with him seems just as contrived.
But Hammerstein's librettos have always been wordy.
"A coherent existance after so many years of muddle" - Desiree' Armfelt, A Little Night Music
"Life keeps happening everyday, Say Yes" - 70, Girls, 70
"Life is what you do while you're waiting to die" - Zorba