Precursor: I f*cking LOVE pop-musicals. Especially good pop-musicals. And Freaky Friday is one of them.
The score is really remarkable. The songs are as catchy as other similar shows - Heathers, Dear Evan Hansen, Bring It On, Legally Blonde - but have a range that gives the score a lot of dimension. The lyrics are witty and fun, but have the maturity of those in If/Then and Next To Normal. The show is PG, borderline PG-13, but this isn't a kids show. The themes of growing up both as a teenager and an adult are seamlessly mirrored throughout the show, with songs like I Got This vs. What You Got and both sides of Busted. Oh, Biology was my favorite song in the show.
The show is relatable, heartfelt, and accessible, without very rarely being cheesy. I think the book could use some filling in, which could ultimately eliminate any moments of cheesiness. The show is very short, about 2 hours and 10 minutes including a 15 minute intermission. The switch happens very suddenly, and they could easily add a scene in between the opening number and it to help establish us in the world more. From my understanding, this is a nearly original plot based around the scenario/world of "Freaky Friday," so it will definitely take you a minute to adjust to the fact that there is no rock band or fortune cookies. (Or any famous lines from the 2003 movie. I was desperately waiting for "I AM THE CRYPT KEEPER!" and it never came.)
If it's true that this is going to be the only professional production of the show for the time being, they really gathered one hell of a cast to do so. Heidi Blickenstaff and Emma Hunton were on fire in the lead roles, and were only lifted by the great talent around them. The rest of the adult ensemble each played at least 3 roles, all with really admirable commitment. The young ensemble did a fantastic job as well! Jason Gotay was flawless as usual, AND HE...
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sings an entire 5+ minute song/scene on a hoverboard & it was unbelievable!!!
So, yeah. I really enjoyed this show. What I admire most about the show is that it is pushing the genre forward of what is possible in musicals that are not only adapted, but have a pop score. The book needs some work, but the score is just incredible. I really hope it has a great rest of its run at Signature, and I have no doubt it will do incredible in regional, community, and high school theaters everywhere.