A couple of things...
1) When I saw the H2$ revival on Broadway, Luba Mason played Hedy with an empowered sexuality, and it worked very well. She "owned" her sexual charisma and the men in the office were all intimidated by it and reduced to babbling idiots. Not one word of dialogue was changed. It was all in how it was directed and staged. Instead of being oblivious to it, she got the "joke" herself. She came off as ANYTHING but submissive or a "toy." It was very funny.
2) Grease has a teenage pregnancy in it, a drop out, and lyrics like "You know that ain't no sh*t, we'll be gettin' lotsa tit, Greased Lightnin'." As cute and nostalgic as we all think it is, this is what's actually written in the musical. While I love Grease, it's easy to see why a high school would have issues with producing it.
EDIT: Oh, yeah, did I mention that How to Succeed is brilliant satire and is one of only a handful of musicals ever to win the Pulitzer Prize? Grease isn't one of those (not that I don't like Grease or anything... but it is what it is).
Satire is the key with H2$. Even in the '60s OBC, these sexual roles were played satirically. Today, they're even more of an outrageous hoot if approached the right way.
"Jaws is the Citizen Kane of movies."
blocked: logan2, Diamonds3, Hamilton22
Updated On: 11/30/05 at 10:06 AM