This morning we got in line at 8am and had no problem getting tickets. I didn't really stick around to confirm, but I believe many people behind us were able to get tickets as well. We weren't all that far back. People can camp out if they like--it's an experience--but reports that you need to get there at 6 (and you're done for if you get there by 7) on a weekday morning appear to be exaggerated.
Thoughts on the show: I listen to the OBCR religiously and was desperate to see a production of Hair that would ring true to me...naturally I went into the show with some concerns that this production could pull it off, based on everything I've read about it being too "clean".
Folks, I fell for it head over heels--they had me from the first beat of "Aquarius", when it was clear that the entire audience was engaged and ready to have a good time. Set the perfect tone--undercurrents both humorous and ominous were brought out in just the right places, undercurrents you can't experience by listening to the recording or reading the detailed liner notes. Loved the entire cast--and no, though I braced myself, I didn't have a single problem with Jonathan Groff. Yes, it's a "cute" group of hippies, but that cuteness--I'd call it innocence--is tempered brilliantly when the show gets into darker territory.
It would be pointless to go into everything I enjoyed about this production--let's just say I walked out of the Delacorte thinking "
it worked." A terrific production that spoke to me, and that I won't soon forget.
"If there is going to be a restoration fee, there should also be a Renaissance fee, a Middle Ages fee and a Dark Ages fee. Someone must have men in the back room making up names, euphemisms for profit."
(Emanuel Azenberg)
Updated On: 8/1/08 at 11:53 PM