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#1

Hair to open Summer 2010

Tickets expected to go onsale beginning of 2010. Venue is to be decided but it has options so its a good bet this start date will remain. Gavin Creel is expected to reprise over here.
#2

re: Hair to open Summer 2010

Nothing has been said a bout this, anywhere. Where have you got this info from?
Ah, i see you use the word 'expected', does that mean that s when you think it will open?
As has been said many times in many threads on here, anyone thinking of bringing it here even with its great reception on Broadway recently will be very careful to say the least.
Again, just look at the shows record in the UK after 1974!
#3

re: Hair to open Summer 2010

From someone connected to the show, which won't name!

But it is due, everything is all in place and set etc (casting/advertising agency etc)

The show will do well. The timing is perfect if there was ever going to be a revival - and the success on broadway of this scale for a revival, they would be silly not to open it in London. Everyone I know can't wait to see this.
#4

re: Hair to open Summer 2010

"The timing is perfect if there was ever going to be a revival"

How so?
#5

re: Hair to open Summer 2010

The show nearly didn't happen on Broadway, as they could not find enough producers to stump up the money, the rest is history.

Be interesting to see how it does in London, when and if!
#6

re: Hair to open Summer 2010

That will be SOOO amazing if it really happens!
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#7

re: Hair to open Summer 2010

The timing is as perfect as it will ever be - the timing of when it came out in the 60s seems to mirror in some ways where we are now. A war nobody wants etc.. I just seems to have tapped a nerve with people over again in the states, which I think it could well do over here too.

This revival is an extremly well executed one and doen't need a huge theatre - somewhere like The Novello or The Cambridge (I doubt it would get that tho!)
#8

re: Hair to open Summer 2010

Why bother? Diane Paulus's production is banal and incredibly safe and sterile. She treats it as a period piece with no sense of why it's relevant. Daniel Kramer's production for the Gate in 2005 was SO MUCH smarter... (For the record, I saw this production in Central Park in NY last summer and Kramer's at the Gate in 2005)
#9

re: Hair to open Summer 2010

Cameron Mackintosh is bringing it over- a similar deal with what he did with Avenue Q apparently! I hope it works over here... i think the cast recording fron NY is great!
#10

re: Hair to open Summer 2010

Haven't heard anything about Cameron being attached, but it is due to go on sale Feb/March time. They are in final stages of getting a venue confirmed.
#11

re: Hair to open Summer 2010

"the timing of when it came out in the 60s seems to mirror in some ways where we are now. A war nobody wants etc.."

I'm not sure what the etc. is.

Maybe if you're BME American then there's racial progress as well, but for British audiences I can't see anything in common between the present day UK and the late 1960s.

I'd still like to see this though.
#13

re: Hair to open Summer 2010

Did you say casting was set? As in finalised? I don't know a single person who's heard about auditions, but if they're about to start then that would be great - there are a lot of very talented actors out there at the mo with no work due to the dry spell!
#14

re: Hair to open Summer 2010

I saw it mentioned on Baz Bambigoye's blog that it was expected here in the the spring, not the most credible source but it does mean its at least a rumour thats picking up momentum. Maybe there is some truth to it.
#16

re: Hair to open Summer 2010

While the staging of this revival is not particularly revelatory or ground-breaking, I thought it was highly effective. My favorite production of Hair was actually in a tiny venue on a shoestring budget where the material itself was the core of the piece, but I greatly admired the Broadway revival for not being overblown or disingenuous. The actors never fell into the cloying, lazy or camp trappings often found in productions where modern performers attempt to recreate iconic period characters. I give a lot of that credit to Paulus's direction which I didn't find particularly safe or sterile. Just respectful of most of the material.
"What can you expect from a bunch of seitan worshippers?" - Reginald Tresilian

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