I really, really love this song and I think this list from The New Yorker does an excellent job breaking the song down:
The jewel of Miranda’s jewel-heavy score, “Satisfied” may be the single best theatrical song written in the past decade. It’s hard to recall any recent show tune that packs in as much verbal wit, narrative surprise, stylistic alacrity, and revelation of character—and it belongs not to Hamilton, not to Burr, but to Angelica Schuyler, played by the incandescent Renée Elise Goldsberry. The song begins with Angelica’s wedding toast—Hamilton is marrying her sister, Eliza—and rewinds to the moment Alexander met them both, and Angelica made a snap decision that sealed her frustrated fate. Her motor-mouthed deconstruction of her own motives is mind-bending in complexity, and when we finally return to that wedding toast it’s heavy with irony. I’ve seen “Satisfied” three times onstage, listened to it maybe a hundred more, and still haven’t tired of its breathtaking nuance. It’s musical storytelling at its best.
http://www.newyorker.com/culture/culture-desk/the-top-ten-showstoppers-of-2015
Updated On: 12/29/15 at 05:49 PM