I actually saw "Red Dog Howls" this evening and it was pretty intense. The story sets itself up to be fairly cliche: while cleaning out the closet of his recently deceased father, a son find a box of letters and an address he is unfamiliar with. The address leads him to an old Armenian woman in Washington Heights who holds a family secret she is reluctant to share.
The problem with most of these plays is that when it comes time for the "big reveal" the secret is never shocking enough to warrant all the to do about it for 90 minutes. This secret is shocking and not for the faint of heart.
The payoff is doubled by the fact that the Armenian woman is played by Kathleen Chalfant. This freakishly talented actress is flawless. The performance is so studied and researched- I mean she must have some serious method something or other going on. The way she shuffles across the room, sits in a chair, speaks in her Armenian accent. It reminded me of the way Meryl Streep can take on any accent/body language and disappear into a character. Her big monologue during the "big reveal" was crazy.
The other two actors are very good, even if their roles aren't so showy. The play isn't perfect; the dialogue in the first scene seemed a little forced and there's a lot of monologue given to the audience that takes a little getting used to. Still, it's interesting subject matter and with Chalfant's master class in acting it's worth the price of admission.
NYTW continues to be one of the most reliable off-Broadway organizations.
Marie: Don't be in such a hurry about that pretty little chippy in Frisco.
Tony: Eh, she's a no chip!