Gypsy is considered the perfect musical in the same way that Tiger Woods and Wayne Gretsky and Rudolf Nureyev and Pablo Picasso are considered the very best of their respective areas of expertise. They all just sit there totally apart from all others, etherial, alien. This eerie difference often makes them hard to look at. Perfection is difficult for imperfect humans to handle, so we often find ourselves reacting with unease.
Gypsy simply gets 100% grading. It just does. My Fair Lady is a brilliant synthsis of Shaw's (also mysoginistic) story. The music is elegant, the lyrics are witty. By all standards, it, too, is perfect. Yet that damn ending they tacked on.... Cheating on the ending makes me deduct one point. 99%.
But Gypsy... the show's ending doesn't bother me in the same way because first we see the naked, bleeding wound that is Rose, then the reconsiliation, which I have always believed was Gypsy realizing that she would never see change in her mother as she herself had changed, and the realization that she could never have scaled the heights she did without the horrible monster that pushed her up most of the way. In her terrifying manner, Rose did create most of Gypsy Rose Lee. And God help us and thank you at the same time.
That is so complex a theory to try to mount onstage that I just can't help but give "Gypsy" that one extra point which raises the score to 100%
http://www.broadwayworld.com/board/readmessage.cfm?thread=972787#3631451
http://www.broadwayworld.com/board/readmessage.cfm?thread=963561#3533883
http://www.broadwayworld.com/board/readmessage.cfm?thread=955158#3440952
http://www.broadwayworld.com/board/readmessage.cfm?thread=954269#3427915
http://www.broadwayworld.com/board/readmessage.cfm?thread=955012#3441622
http://www.broadwayworld.com/board/readmessage.cfm?thread=954344#3428699
Updated On: 12/3/06 at 01:27 PM