Good. Now they can do these things:
- Re-cast the majority who were sleep-walking through the show. They've all got to look like they're living it, like they're in the moment, not phoning it in with whatever they saw the last time they watched
Woodstock.
- Re-design some of the costumes to be less extreme "K Mart costume hippie" with all the dressy turtle necks and Nehru jackets and more authentic (let's see more beads/medallions/headbands on everyone, bell-bottom jeans/vests/tennis shoes/sandals/jean jackets/military jackets/"Sgt. Pepper" style band jackets on men, full length skirts/peasant blouses/bell-bottom jeans/vests/halter tops on women).
These kids are a tribe of street urchins; they don't have money and they're almost always seen outside in the context of the show's script, so dressier fashions of the time (as currently seen) are inappropriate. "Anti-fashion" is a good concept to keep in mind. Colors, textures, and patterns are butted up against each other in ways that were considered bad taste before the hippie era. To purposely flaunt their eclectic ideas of dress is one of the keys to the look.
- Bring in (for the most part, aside from some songs not covered in it) Seth Rudetsky's arrangements from the Actor's Fund benefit, which are funkier and more in line with what Galt MacDermot has had in mind when he hears the score in his head.
Do all this, and it should be fine. At this point, since Groff is basically the only thing making this transfer possible, I'm willing to swallow that difficult pill of his casting.
"There is no problem so big that it cannot be run away from."
~ Charles M. Schulz
Updated On: 9/11/08 at 01:28 PM