I saw the show tonight and really enjoyed it, as much as one can enjoy the extremely heavy subject matter. The performances were great and the storyline was compelling, albeit difficult to follow. It feels like the show is from another era- which is refreshing. It is a piece that makes you think, and doesn't hand everything to you on a platter- melodramatic? Sure. Boring? Definitely not. It is much slower paced than most everything on Broadway, but it should be given a chance. I'll admit that when I saw the marquis a few months ago I had no idea what the show was about, nor was I particularly interested in seeing it, but I am glad I did. It's painfully obvious that such a piece won't be successful on Broadway, with the current audiences and critics, with the purely capitalist attitude driving the industry. But I did completely enjoy seeing something symbolic, artistic, and thought-provoking. It is quite a haunting piece, and I hope it enjoys a healthy life SOMEWHERE.
It felt a bit like watching a film, with the integration of the music and the staging choices/special effects. From what I saw tonight, I could definitely see it in the film medium. I can't believe the source material is a children's novel; I'm very interested in reading it.
"I'll cut you, Tracee Beazer!!!!
...Just kidding. I'd never cut anyone." -Tina Maddigan, 9/30/06, WS stage door
Avatar: JULIE "EFFING" WHITE, 2007 TONY WINNER. Thank God.
I'm thinking about legally changing my name to Lizzie Curry...