#1
Posted: 6/2/06 at 7:20am
If you are taking a trip to London, SEE THIS SHOW!
It struck me that the show was not only ahead of its time in terms of that nebulous thing, audience 'readiness', but also in terms of its technical demands.
At last, with the appropriate use of projection, (WIW take note), the staging has the flexibility that the show demands. The magic starts from the beginning, as drawing room curtains transform magically into George's trees. As he erases one from his sketch book, it wipes from the stage, as if removed by an eraser!
So, the design is superb. What about the performances? Jenna Russell is perfection as Dot, bringing out her humanity, humour and intelligence to startling effect. She was just lovely!
Daniel Evans has received much praise as George. I have to say I thought he was fine, but not so different from Mandy.
The highlight of the show for me: "We Do Not Belong Together", preceded by the dialogue in which Gay Soper as George's mother breaks your heart with her longing to intervene, but not daring to interrupt.
Having seen OBC and National Theatre production I was reluctant to see this chamber version. Boy, were my fears unfounded!
It struck me that the show was not only ahead of its time in terms of that nebulous thing, audience 'readiness', but also in terms of its technical demands.
At last, with the appropriate use of projection, (WIW take note), the staging has the flexibility that the show demands. The magic starts from the beginning, as drawing room curtains transform magically into George's trees. As he erases one from his sketch book, it wipes from the stage, as if removed by an eraser!
So, the design is superb. What about the performances? Jenna Russell is perfection as Dot, bringing out her humanity, humour and intelligence to startling effect. She was just lovely!
Daniel Evans has received much praise as George. I have to say I thought he was fine, but not so different from Mandy.
The highlight of the show for me: "We Do Not Belong Together", preceded by the dialogue in which Gay Soper as George's mother breaks your heart with her longing to intervene, but not daring to interrupt.
Having seen OBC and National Theatre production I was reluctant to see this chamber version. Boy, were my fears unfounded!