#1
Posted: 10/30/04 at 5:57pm
First, I LOVED this documentary. It provided a great in-depth overview of how Broadway came to be to what it is today. It also included the major popular performers, creative teams, and shows of its 100+ year history.
However, there were many omissions of many shows, performers, and creative people.
What/who do you think are the Top 5 omissions? People, shows, events, etc.
The documentary is already many hours in length, and its understandable that everything can't be included. But if you could choose five things to add, what would they be?
1) PETER PAN - Gave Mary Martin national fame. It's the most-revived musical in Broadway history. One of, if not THE first live-televised musical, also one of first stage musicals to be distributed on VHS. Pioneer in flying. Jerome Robbins, Jule Styne, Adolf Green, and Betty Comden all part of its creation. Throughout its years on Broadway, such stars as Maude Adams, Marilyn Miller, Mary Martin, Eva Le Gallienne, and Jean Arthur all starred.
2) DREAMGIRLS
3) AVENUE Q - Mostly everything discussed about contemporary Broadway was focused on WICKED. Why not also include the Tony winner?
4) INTO THE WOODS
5) Revivals
However, there were many omissions of many shows, performers, and creative people.
What/who do you think are the Top 5 omissions? People, shows, events, etc.
The documentary is already many hours in length, and its understandable that everything can't be included. But if you could choose five things to add, what would they be?
1) PETER PAN - Gave Mary Martin national fame. It's the most-revived musical in Broadway history. One of, if not THE first live-televised musical, also one of first stage musicals to be distributed on VHS. Pioneer in flying. Jerome Robbins, Jule Styne, Adolf Green, and Betty Comden all part of its creation. Throughout its years on Broadway, such stars as Maude Adams, Marilyn Miller, Mary Martin, Eva Le Gallienne, and Jean Arthur all starred.
2) DREAMGIRLS
3) AVENUE Q - Mostly everything discussed about contemporary Broadway was focused on WICKED. Why not also include the Tony winner?
4) INTO THE WOODS
5) Revivals
"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle
--Aristotle