Posted: 2/20/05 at 2:56am
"Good luck returning my ass!" - Wilhemina Slater
"This is my breakfast, lunch and f***ing dinner right here. I'm not even f***in' joking." - Colin Farrell
Posted: 2/20/05 at 2:58am
Posted: 2/20/05 at 3:01am
Posted: 2/20/05 at 3:07am
Posted: 2/20/05 at 5:53am
Posted: 2/20/05 at 12:12pm
Posted: 2/20/05 at 12:34pm
Posted: 2/20/05 at 12:38pm
Posted: 2/20/05 at 12:42pm
Posted: 2/20/05 at 1:10pm
Posted: 2/20/05 at 1:16pm
Posted: 2/20/05 at 1:19pm
And to theatremom...how did you regional production do the helicopter, did they have a real helicopter (a la Broadway) or a projection (a la Current Nat'l Tour)? The projection on the tour is done really well though, I'm sure there were some who couldn't tell, you could feel the theatre shaking.
Posted: 2/20/05 at 1:32pm
I am taking a couple of people who have never seen the show before and I am glad is it a well done production. I was scared the show I have told them so much about would be disappointing.
I am also wondering how they did the helicopter effect. I have only seen the Broadway version and never the projection.
I will definitly report on how I thought the show was. The last time I saw Miss Siagon was during the closing run with Lea Salonga. :)
Posted: 2/20/05 at 1:46pm
Unfortunately, so much "hype" was created over the years about the "helicopter" sequence, that folks that have never really seen the show often dismiss it as the "helicopter musical," or something silly like that.
Having seen the show you know now what everyone who really saw MISS SAIGON knows. It is a riveting and thrilling musical from the moment it starts. And the helicopter sequence is about 20 seconds long and not very important to the show.
MISS SAIGON is very rare in that you can fall in love with it and be enthralled with it upon first viewing it, with no prior knowledge of the score. This of course is not true for most Sondheim shows and Les Mis and many other primarily "through sung" shows. Most are really difficult to enjoy and appreciate the first time you see them. In reality, most folks fall in love with these musicals from the recordings. Almost every Sondheim show and shows like Les Miz simply play better on tv or recording because they are so intricate and can be terribly boring in the LIVE theater. That is why in order to truly love a Sondheim show or a show like Les Miz, it is vitally important to be familiar with the recording or the video prior to seeing it LIVE in the theater. BORING is the word most often attributed to Les Miz and almost every Sondheim musical to those seeing them for the first time without being familiar with the score, etc....
But, for some reason, MISS SAIGON is rivetting upon first view. As I said, it usually takes repeated listenings or viewings of most through sung musicals to truly love them. The people of MISS SAIGON made that show accessible and entrancing for audiences without them needing to be familiar with the show's cd or video or even a prior knowledge of the story line. BRAVO to MISS SAIGON!
and thanks for sharing your thoughts on the show! hopefully, it will encourage others to see this Treasure of a musical and truly enrich their lives.
Updated On: 2/20/05 at 01:46 PM
Posted: 2/20/05 at 1:50pm
Posted: 2/20/05 at 2:03pm
When I love something like this, I just want everyone to know so they can have the chance to love it too!!! thanks for sharing your thoughts iwearshoes :)
Posted: 2/20/05 at 2:09pm
Posted: 2/20/05 at 2:17pm
MISS SAIGON is a very strong show and in years to come we will certainly have concert versions, and "black box" productions of the show such as the current revival of CHICAGO.
Posted: 2/20/05 at 4:01pm
I thought the show was easy to follow even though I was unfamiliar with the music (the first time I saw Les Miz I was in the back of the theater and really didn't know what was going on part of the time). I do think, tho, that being familiar with Miss Saigon's music would be good...but not completely necessary to enjoying the show. The only time I had trouble understanding the lyrics was at the very beginning of the show...but I still "got it".
The role of Kim is so demanding!! Yes, this part was played by Kristine Remigio, who was on the 2nd National Tour. The Enineer (Franc - Anton Harwart) was great, but he doesn't have the * by his name, indicating he is Equity...so I'm not sure.
Anyway, hope you all enjoy the show
Posted: 2/20/05 at 4:19pm
RENThead, enLIGHist, Ozalot, Grobanite, Ringer, Pickwick LW, Wicked, Lost, American Dreams, West Wing
Lea S. Hugh J. Adam P. Idina M. Matt M. Taye D.
Posted: 2/20/05 at 6:13pm
hey theatermom4.... it was the Feb. 19 Saturday night show you saw? if so... i was there too!!! this was my 18th time see the show but my first regional production... i was amazed at how closely they followed the original staging of the broadway production... the sets were also very nice (except for the Why God Why and Sun and Moon sequence... yuck)... i do like how they actually built a huey helicopter for the show... so amazing... and they actually got a cadillac for the American Dream number... i'm telling everybody... Miss Saigon is such a great piece of musical theater that people overlook the simpleness of the music and plot because they're too in awe of the spectacle of the helicopter and the sets... Miss Saigon is such an intimate show and this production (as well as the current tour) prove that... i'm taking three friends to see the show again next weekend (they've never seen it) and my friend went with me last night who has only been to one show in his entire life was really impressed at how powerful the show is, especially the nightmare sequence and the ending... when we left the theater he said "i didn't realize it ended so awful.." ok... so with the likes come the dislikes.... maybe because it was the 2nd performance so i'll see how they do when i come back next weekend... but the ensemble looked lost and unfocused for some of the show... during the morning of the dragon number (which is an exact copy of the broadway version), you could visibly see one of the ensemble two or three steps behind the others... she kept watching the dance movements like she was unsure of what came next... this was even more noticeable when the two acrobats came out... the guy's head turned to his partner during the whole sequence... it looked bad.. same thing during the American Dream... oh and my friend noticed that one of the girls boobs fell out during that number and she danced like nothing happened... hahaha.... my other faults lie with the director... maybe i'm particular because i love this show with all my heart... but i don't think she gets how fast pace and moving this show needs to be... there were way too many blackouts for me... nothing flowed well and there were points when no one was one stage... everything is supposed to be moving... there were also too many moments of blackouts silence... for example... right before the girls come on to sing "one of us will be miss saigon" the stage is just empty with the set coming out... looked like someone missed a cue or something... moving on... after the song Sun and Moon most audience clap and then there's the brief "paper unicorns lines..." and whatnot.. the director then has another blackout after that line with no music and then The Telephone Song... felt extremely awkard... then after Last Night of the World, they sing the song and then he takes her to the bed and then lights out... music stops... clap clap clap... then Morning of the Dragon... it felt so awkward... i'm so very used to it being one continuous musical moment... that really irked me... then I Still Believe... you can see all the refugees running in trying to get into place... looked awkward as well... what else... same thing after Sun and Moon Reprise... Kim sings and then clapping... she just sits there doing nothing... same thing with after the Confrontation of John, Chris and Ellen, which was staged poorly because all the three did was like stand there and look at each other... there was no emotion, no connection between anybody... hmmm... oh i like that in the national tour the actors (or heck, they could be stage crew dressed up as characters) brought the sets in... here they had noticeable crew members in all black with microphones and hats just move the stuff in... i didn't care for that... am I a little too picky? you could say that... but whatever... i love this show and love everything about it... i loved this production but felt the director clearly missed some things that are essential to this show... Miss Saigon is a rare clapping show for me... it was like the director was saying... audience, clap at EVERYTHING i do in this show... which annoyed my friend.. he felt the clapping was unncessary in most parts and it ruined the mood of the show...
oh well... viva la Miss Saigon...
and by the way... San Diego Starlight Musical Theater is doing miss saigon in September... which will be VERY interesting to see... for those of you who are unfamiliar with that theater, they do awesome productions... the only problem is that the theater (which is open air), is located directly under the flight path of the airport... so when you're watching a show, the actors will literally freeze on stage (you can see a red light green light on the corner somewhere) for about 1 minute and then resume like nothing has happened... it's funny for like the first time... but then gets TRULY annoying during the night... like i say... some traditions are meant to be broken!!!
Posted: 2/20/05 at 6:34pm
I sent my husband out to find the cast recording with Lea for me...hopefully he can find it...I guess otherwise I'll check online.
I have one question...was Chris dating Ellen while he was in Viet Nam? I thought they said they had been together for 2 years, but Tam was 3 years old. I was wondering whether Chris actually "cheated" on Ellen or did he just not mention Kim to her. I think Ellen said she had been lied to? In any event, I felt so sad for them all...and I cried...couldn't even talk right away after the show because my throat was so chocked up. (I'm just too sentimental!)
Posted: 2/20/05 at 7:03pm
Posted: 2/20/05 at 7:08pm
go to www.half.com and you can find the OBCR with Lea Salonga for cheap...
BroadwayWorld TV