I worked at the NYSF for much of the 90s, and my picks for the top/bottom 'high-concept' Shakespeares I did were:
1990 "The Taming of the Shrew" (Tracey Ullman/Morgan Freeman) set in the Wild West- the setting really worked for the plot, characters, and a western twang fit the verse very well.
1995 "Troilus And Cressida" which had such an excess of multi-era concepts that I made friends come see it because they would not believe it was on a public stage. I'd describe it, but it wouldn't do it justice, and would spoil your shock. Ok: one thing... Two couples realistically simulating sex while Stephen Spinella sang a sonnet in falsetto wearing a bejeweled strap-on that inflated to an erection and shot liquid into the audience. And that wasn't even the weirdest scene.
"What- and quit show business?" - the guy shoveling elephant shit at the circus.
Updated On: 5/29/19 at 01:28 AM