CAROUSEL and SUNSET BOULEVARD are classics -- the first one is arguably Rodgers and Hammerstein's best musical ( it was once a movie and has had a number of stage revivals) while SUNSET BOULEVARD is a film noir classic on the Hollywood of yesteryears. Both musical scores are beautiful and have popular appeal.
Will these musical remakes need contemporizing to have a more modern appeal?
I hope Hugh features as leading man for both ( as Carousel is a future production of his company, he is definitely reprising Billy Bigelow, this time on screen...he was impressive on the Carnegie Hall concert with Audra in 2002)...while ALWebber has mentioned him in the role not so long ago ( but nothing has been set for Sunset Boulevard, especially in terms of financing and casting it).
Maybe the new CBS TV show he is producing, VIVA LAUGHLIN, where he has a recurring cameo role and which will open this fall ( October premiere) will increase the appeal of storylines enhanced by the appeal of music ( sung songs), even if it is really a mystery drama ( and not a musical, as it is averred

).