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"Oooh I HATE that Ralph Garcie! I must remember this feeling and use it in my acting!"

"Oooh I HATE that Ralph Garcie! I must remember this feeling and use it in my acting!"

CapnHook Profile Photo
CapnHook
#1"Oooh I HATE that Ralph Garcie! I must remember this feeling and use it in my acting!"
Posted: 8/9/09 at 9:53am

As long as this line is in the FAME remake, everything else will be standable.


"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle

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BrodyFosse123
#2re: 'Oooh I HATE that Ralph Garcie! I must remember this feeling and use i
Posted: 8/9/09 at 11:18am

Unless they include it as a little reference *wink* to the original film it seems unlikely as this 'new' film isn't a by-the-book remake of the original. It has an entirely new plot; entirely new characters; and aside from sharing/using the 'theme song'... it has entirely new music.

Yup... no Coco. No Bruno. No Ralph. No Doris. No Montgomery. And nope... no Leroy.

CapnHook Profile Photo
CapnHook
#2re: 'Oooh I HATE that Ralph Garcie! I must remember this feeling and use i
Posted: 8/9/09 at 11:39am

This I know. And that's as it should be.

It's going to be really interesting to see the two films as they exist with each other. They reflect the arts on youth and the youth's interest in the arts. What's 'hot' at the time. Of course one doesn't need these films to notice the differences and similarities, but it is still going to be interesting to examine the two.


"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle


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