There's also "Once in a Lifetime" by Kaufman and Hart, which Merrily we Roll Along is based on (it also goes backwards).
Also:
-- Copenhagen by Frayn (repeats a key meeting several times from several different perspectives).
-- Arcadia by Tom Stoppard (tells two stories with two sets of characters 200 years apart in the same room)
-- Invention of Love by Stoppard (a sort of memory play where poet A.E. Housman tells the story of his life in a series of flashbacks)
-- How I Learned to Drive by Paula Vogel (presents the lead character, a victim of abuse, at multiple points in her life, from childhood to her 30s, nonchronologically -- really a remarkable piece of construction)
-- Well by Lisa Kron (a meta-constructed memory play with flashbacks, characters commenting on how honest the narrator is at telling the flashbacks to the audience, and the "actors" themselves seemingly stepping in and out of character commenting on the play and the playwright -- leaving the play entirely at one point. Absolutely brilliant).
"What a story........ everything but the bloodhounds snappin' at her rear end." -- Birdie
[http://margochanning.broadwayworld.com/]
"The Devil Be Hittin' Me" -- Whitney