Swing Joined: 8/15/10
Hello,
Didn't quite know how to word the title, but my main question is about whether or not playwrights in interview or article give their characters more of a back story than in the script. A specific example would be the Witch in Into the Woods. I performed the 'rap' in class and had to make up a background for her, which troubled me because I knew that she had a more mysterious and magical past than I could give her. Was she ever discussed by Sondheim or Peters? If not, what do you think her mother was like? Or where she went at the end of "Last Midnight"?
Updated On: 10/7/10 at 05:57 PM
It's usually the actor's job to give the backstory to the characters, not the playwrights. If the playwright thought that HIS ideas were absolutely necessary, they would BE part of the script.
I'm not trying to be snippy here at all. Does that mean it's never discussed? Not necessarily. But at a number of interviews the writers of N2N have been at odds with what they "think" about backstories.
Swing Joined: 8/15/10
Yes that makes sense. And as for N2N- they've done a pretty good job, regardless of what happened in their back stories, thanks for the example!
Swing Joined: 12/31/69
If you "knew that she had a more mysterious and magical past than I could give her" why didn't you give her a more mysterious and magical past?
And I don't think you need to hear if from LaPine's mouth to guess that the Witch's mother was exactly like the Witch.
Updated On: 10/7/10 at 07:34 PM
Swing Joined: 8/15/10
Good point about the Witch. I was just doing a reflection and it was one of my observations from my analysis. thanks!
Swing Joined: 8/15/10
Good point about the Witch. I was just doing a reflection and it was one of my observations from my analysis. thanks!
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