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Remembering HERE'S WHERE I BELONG on its 50th Anniversary

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#1

Remembering HERE'S WHERE I BELONG on its 50th Anniversary

Remembering HERE'S WHERE I BELONG on its 50th Anniversary



The show opened and closed at the Billy Rose Theatre (now the Nederlander) on this day in 1968.

An adaptation of Steinbeck's epic East of Eden, the show had abysmal out of town reviews with even worse notices on Broadway, even after pushing back opening night for more changes. The cast featured mostly lesser-known actors, including a young Heather MacRae, Ken Kercheval of Dallas fame, character actor Walter McGinn, and James Coco in yellowface (casting that led to picketing by Asian American groups). Incidentally, the scenery was by famed Chinese American designer Ming Cho Lee, who created a staggeringly expensive 12 realistic sets for the various locations of the show.

The score was by Robert Waldman and acclaimed playwright Alfred Uhry, who would go on to collaborate on THE ROBBER BRIDEGROOM several years later. No cast album was recorded (despite United Artists having invested in the show to get the cast album rights), but a bootleg was released on LP by the Blue Pear label. There are some lovely melodies in the score and the Jonathan Tunick orchestrations are excellent.

Did anyone see it back then?

Remembering HERE'S WHERE I BELONG on its 50th Anniversary


Keeping BroadwayWorld Illustrated
#2

Remembering HERE'S WHERE I BELONG on its 50th Anniversary

Hi, Mr. Nowack:

I am also a fellow fan of "She Loves Me." I saw "Here's Where I Belong" in its pre-Broadway tryout at Philadelphia's former Shubert Theatre, when Terrence McNally was still writing the musical. I told Terrence once that he should consider revising the script for the show since the Robert Waldman and Alfred Uhry had several songs that were worth the effort. He wasn't interested in going back to it. I like the song you selected, "No Time," which Louis Armstrong recorded on the United Artists' label. I also enjoyed "We're a Home," and the title song, "Here's Where I Belong." I remember a big WWI sequence in Act Two where the musical number was called "Pulverize the Kaiser." I heard the boot legged copy of the score once and the sound quality was so poor that I returned it to the store. I met and interviewed Alfred Uhry and Robert Waldman at the time of their "The Robber Bridegroom" collaboration in 1975. I still have the tape of that interview. I also had a brief conversation with "Here's Where I Belong" producer Mitch ("Sing Along"Remembering HERE'S WHERE I BELONG on its 50th Anniversary Miller while I was waiting at the stage door. He wanted to know how to get to the records, tapes, and audio equipment store Sam Goody's on Chestnut Street in Philadelphia, where I ended up working 7 years later.

If you are interested in continuing this dialogue about "Here's Where I Belong" and other Broadway musicals from the 1950's through the present, please consider e-mailing me.

Steven Kodaly

#3

Remembering HERE'S WHERE I BELONG on its 50th Anniversary

This is a show that always fascinated me because I was a fan of the novel. I have the poster. I also have the bootleg. Terrible quality, but it's better than nothing, especially considering that it's quite a nice score.

BroadwayWorld TV


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