Okay.
I just, for the first time, saw the clip of 'And I'm Telling You I'm Not Going' from the Tony Awards.
You always think that something with THAT much hype and bravo can't live up to it's impossibly high expectations.
But then, when something doesn't just live up to being so amazing that it is other wordly, but it, after your hearing about it's impact for years, exceeds your remarkably high expectations, it is an amazing the feeling.
Watching Jennifer Holiday pour her heart and soul into every lyric, every note, every expression, every gesture of that song was truly remarkable. Her intensity broke through the screen, I can only imagine how it must have washed over the entire theatre each and every time she performed it.
Her raw emotion was heart-wrenching and her dedication awe-inspiring. I got the biggest goosbumps I think I've ever had.
When Curtis leaves and she starts the whole "Tear down..." section I got the coldest chills sent down my back.
It's truly incredible when a something, or someone, can live up to THAT much hype.
But now it makes me even sadder for not being able to see her perform it live at the Imperial. THAT must have been a life-altering experience and I can't help but envy anyone who got to experience the power and emotion of her performance, not through a TV screen but in a theatre. Because the emotion of witnessing a performance of that magnitude live and in person is something only theatre can produce. Maybe that's why we all love it so much.
"One no longer loves one's insight enough once one communicates it."
The opposite of creation isn't war, it's stagnation.