Listing all the ways the Dreams and the Supremes are different is kind of irrelevant. No one has claimed this
is the story of the Supremes, but to keep ignoring the word "loosely" in loosely based is getting a little ridiculous.
In the movie Curtis pops outside Rainbow Records and asks if anyone in the crowd can type. He's also seen winning some payola money in a prize fight. Neither of these things happen in the stage version and both can be found in the history of Gordy and Motown.
In the stage version, the Dreams are from Chicago. In the movie, their from Detroit, the birthplace of Motown and the Supremes.
Exact Supremes album covers (some actually listing Supremes songs) were recreated for the film, as were exact Supremes costumes. This also doesn't happen in the stage version.
In the film, there's a character clearly based on Michael Jackson for whom Deena has affinity. Granted, this goes absolutely nowhere in the film (and is found nowhere in the stage version) and can be included for no other reason than to reinforce the Supremes parallel once more.
Yes,
Dreamgirls isn't an exact retelling of the Supremes story, but it's silly (and frankly, a tad deluded) to act like Condon did not make them his point of reference for the film. The people who lived through that era (like Robinson) probably see even more of the deliberate parallels that Condon added for the film. I can certainly understand why a couple of noses would be out of joint.
Yes, the
stage version makes a good case for the Dreams being based on any number of girl groups from that era, but the filmmakers made a conscious choice to beef up the Supremes parallels.
"How do you like THAT 'misanthropic panache,' Mr. Goldstone?" - PalJoey
Updated On: 2/6/07 at 09:25 AM