Some TDF?

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Some TDF?

Posted: 12/25/08 at 8:46pm

Hi
I want to see Spamalot b4 it closes but I'm wondering where the TDF seats are usually located. I'm wondering if I should get Standing room or buy tix on TDF?(When I become a member most likely tomorrow), My Friend did TDF like 4 months ago and said her seat was the LAST ROW OF THE BALCONY. Anyone know where they are now?

Also Speed The Plow, They have rush for $26.50 is TDF a better deal seat wise

How about August Osage County?

Rent The best show on Broadway. I was at the closing. BEST night of my Life. April 29th 1996-September 7th 2008 12 years of love "No Day But Today"

re: Some TDF?

Posted: 12/25/08 at 9:18pm

None of the shows you mentioned are presently on TDF.

Last I checked, the only Broadway shows up were American Plan, Avenue Q, Pal Joey and Phantom.

re: Some TDF?

Posted: 12/26/08 at 2:09am

Has it occurred to you to check the portion of their website where your answer can be found?

Rest in peace, Iflitifloat.

re: Some TDF?

Posted: 12/26/08 at 2:17am

They don't just let ANYONE become a member, coolkid. Below is a list of criteria that must apply to new members before they can join. Do these apply to you?

1) You must have paid full-price admission to a Broadway show directly from the box office or their Ticketmaster/Telecharge outlet.

1b) The ticket must be used by yourself and not re-sold to someone else on the street or online.

2) You can not have attended a closing performance of a show, especially RENT.

3) You cannot belong to an online theatre social club, such as a message boards on BroadwayWorld.com or All That Chat.

3b) If you decide to delete your account on said online theatre social club(s) and swear never to again create posts/replies on those message boards, then all criteria rules will allow exceptions to you, except this rule.

"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle

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