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Sondheim to be considered for Best Original Score at the Oscars?

Sondheim to be considered for Best Original Score at the Oscars?

ljay889 Profile Photo
ljay889
#1Sondheim to be considered for Best Original Score at the Oscars?
Posted: 12/18/07 at 11:18am

according to the "For your consideration" ad....

Sondheim to be considered for Best Original Score at the Oscars?

Is it really eligible? That would be great if he could win another Oscar, especially for SWEENEY. But I'm not seeing how it's an original score.
Updated On: 12/18/07 at 11:18 AM

CapnHook Profile Photo
CapnHook
#2re: Sondheim to be considered for Best Original Score at the Oscars?
Posted: 12/18/07 at 11:24am

Interesting...


"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle

myManCape Profile Photo
myManCape
#2re: Sondheim to be considered for Best Original Score at the Oscars?
Posted: 12/18/07 at 11:34am

Rule Sixteen
Special Rules for the Music Awards

A. CATEGORIES

I. Original Score:
An original score is a substantial body of music in the form of original dramatic underscoring written specifically for the film by the submitting composer.

II. Original Song:
An original song consists of words and music, both of which are original and written specifically for the film. There must be a clearly audible, intelligible, substantive rendition (not necessarily visually presented) of both lyric and melody, used in the body of the film or as the first music cue in the end credits.

III. Original Musical:
An original musical consists of not fewer than five original songs (as defined in A.II above) by the same writer or team of writers either used as voice-overs or visually performed. Each of these songs must be substantively rendered, clearly audible, intelligible, and must further the storyline. What is simply an arbitrary group of songs unessential to the storyline of the film will not be considered eligible. The adapter (if any) or the composer of the instrumental score may be considered eligible — in this category only — if his or her contribution is deemed relevant and substantial.

B. ELIGIBILITY

1. The work must be specifically created for the eligible feature-length motion picture.


2. The work must be the result of a creative interaction between the film maker(s) and the composer(s) or songwriter(s) who have been engaged to work directly on the film.

3. The measure of the work's qualification shall be its effectiveness, craftsmanship, creative substance and relevance to the dramatic whole.

4. The work must be recorded for use in the film prior to any other usage including public performance or exploitation through any of the media whatsoever.

5. Only the principal composer(s) or song writer(s) responsible for the conception and execution of the work as a whole shall be eligible for an award. This expressly excludes from eligibility all of the following:

(a) supervisors

(b) partial contributors (e.g., any writer not responsible for the over-all design of the work)

(c) contributors working on speculation

(d) scores diluted by the use of themes tracked or other pre-existing music

(e) scores diminished in impact by the predominant use of songs

(f) scores assembled from the music of more than one composer.

6. No more than two statuettes will normally be given in the Original Song category. A third statuette may be awarded when there are three essentially equal contributors to a song.

7. The Executive Committee shall resolve all rules interpretations and all questions of eligibility.

8. It is within the sole and confidential discretion of the Board of Governors to determine what awards, if any, shall be given.


"Have they come yet?"

ljay889 Profile Photo
ljay889
#3re: Sondheim to be considered for Best Original Score at the Oscars?
Posted: 12/18/07 at 11:36am

Maybe you should send those rules to the film's producers.

Michael Bennett Profile Photo
Michael Bennett
#4re: Sondheim to be considered for Best Original Score at the Oscars?
Posted: 12/18/07 at 11:41am

Original score refers to the underscoring. If Sondheim wrote any new music specifically for underscoring in the movie, its eligible.

sondhead
#5re: Sondheim to be considered for Best Original Score at the Oscars?
Posted: 12/18/07 at 11:42am

There is original scoring happening in the film in addition to some based on pieces from the stage. Not sure if it should be considered for the award as a whole, but still

CapnHook Profile Photo
CapnHook
#6re: Sondheim to be considered for Best Original Score at the Oscars?
Posted: 12/18/07 at 11:55am

They key word is "substantial." What is the percentage of ORIGINAL score versus REUSED score?


"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle

doodlenyc Profile Photo
doodlenyc
#7re: Sondheim to be considered for Best Original Score at the Oscars?
Posted: 12/18/07 at 12:20pm

Also interesting...Laura Michelle Kelly as the supporting actress push.


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ray-andallthatjazz86 Profile Photo
ray-andallthatjazz86
#8re: Sondheim to be considered for Best Original Score at the Oscars?
Posted: 12/18/07 at 1:27pm

I thought they would submit the kid--his name escapes me--for the Best Supporting Actor category as well.
Glad to see they didn't try to pull a Jennifer Hudson, and put Helena Bonham Carter where she belongs.
Love the actual poster, it rocks.
And yes, like MichaelBennett said, the Score is more about Sondheim's underscoring than his renowned SWEENEY score.


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