I did and it was phenomenal. I hadn't seen it before so it was completely new to me. I had also gotten up at 3am to catch a flight from Florida to washington then to Newark then took the train into the city to see the show. So I was a little tired, but still glad I saw it.
Norbert was at the top of his game. I know he had been using the script before. When did he stop using it? cause he didn't have it last night and I was so proud of him.
The beginning of the 1st and 2nd scenes were tough to get into, but once I got into them and the style of how Charlie and Bobby talked, I was hooked. The idea of doing a movie (or a theatrical show) based on whether or not you want people to see it and whether or not you want fast money and whether or not you want people to experience a piece of powerful art is a powerful idea and so true in the economy we are in now. Should someone produce something just to get the money or should they produce something that is powerful and should be made to show people certain art that they might have never have seen if it wasn't made?
When the lights came up afterwards, Norbert was already hugging Raul and Elizabeth came out and they bowed twice. Someone came down and gave Norbert a bouquet and they left. But then came on again for a second bow and the orchestra section gave them a standing ovation (couldn't see the balcony. But, forgot to add, orchestra was completely filled.)
What made me very annoyed was when I was standing in the theatre, putting on my coat. I listened to a woman (in her twenties, maybe early thirties) talking to her boyfriend or male friend. She said "I am so glad we didn't pay full price for these tickets. I can't believe the stuff that they are putting on Broadway now. I think the only reason people wanted to see this show was because of Jeremy Piven. It was horrible."
It took all I had in me to not go over to her and tell her: "Listen. You must not be in the entertainment industry otherwise you would have gotten the meaning behind the whole show. You're an ignorant women who must be the kind of person ho doesn't understand plots like these and must go to simple entertaining musicals."
<--- the set of A Midsummer Night's Dream that I was assistant stage manager for during the 2007 season at the STNJ outdoor stage.
-Dre- You must remember all the same that at the crux of every game is knowing when it's time to leave the table... And it's important to be artful in your exit. No turning back, you must accept the con is done... It was a ball, it was a blast. And it's a shame it couldn't last. But every chapter has to end, you must agree.
~Dirty Rotten Scoundrels~
There's a special kind of people known as show people. We live in a world full of dreams. Sometimes we're not too certain what's false and what's real. But we're seldom in doubt about what we feel.
~Curtains~
It is a far, far better thing I do, than I have ever done; it is a far, far better rest I go to, than I have ever known.
~A Tale of Two Cities ~