I was looking through a scrapbook of reviews I've written on shows I've seen. I would post them more often, but I don't particularly think they're good. But my review for Tarzan, which I spared posting because I felt it would seem redundant after all of its pans, I feel, perfectly hits the nail of the head and sums up the critics complaints.
(Oh and my little OC remark is in regards to the third season. Some of the dialouge in the fourth season was quite good actually. Didn't want any fans to kill me.)
“Tarzan is a miserable failure.”
(on Tarzan: The Broadway Musical- no stars)
It’s been a very weak season for new musicals. One show, The Drowsy Chaperone, is a complete success and a second, The Color Purple, has a talented cast, a great design concept and some interesting songs, but a weak book and weak directing. Other than those two entries, in my opinion, every new musical has failed. Tarzan isn’t as weird as In My Life, but it’s on the same level of stupidity. The sad thing is that theatre professionals (with the exception of its songwriter) have created it.
The one person who is making his Broadway debut in the creative team is Phil Collins and sadly, his score is the weakest element of the show. It’s just bad. There’s no other word to describe it. Although I’ll admit that I found his songs for the Disney animated feature charming and tuneful, onstage, they sound bland and annoying. His new material is worse. One number performed by the ape parents of Tarzan is a weird, tribal version of “Anything You Can Do I Can Do Better” that has no wit, no tune and no rhyming pattern. It’s on the verge of pretentious. The same goes for a song that Tarzan’s love Jane sings at the end of Act I. It first starts shooting Latin plant names at the audience and then goes into a banal pop chorus.
The cast of the show doesn’t better the weak songs. In fact, you might say that the young man playing the child version of Tarzan made his forgettable song worse.
The book by David Henry Hwang is lame. The Lion King’s book was lame as well, but this is awful. The jokes don’t go over well and the dramatic lines sound like lines from the weaker episodes of the current season of The OC. The structure of the book is also hard to follow. Hwang also changes the Disney screenplay and the Edgar Rice Burroh’s novel drastically. He turns Jane’s uptight British fiancé of sorts into a manic Southern killer among other weird changes.
Bob Crowley tries his best to stage and design this mess, but it doesn’t work. You might even say his designs are tacky. The man who designed the brilliant sets and costumes of Carousel and Mary Poppins should feel ashamed of his work here. The set is green. Just green. Green ropes, green scrims, green flooring. It looks like a green screen used on special effect shots in films. This green set doesn’t work. Crowley’s costumes don’t work either. The ape characters are dressed in stringy wigs that make them look like unclean pot dealers. The character of Tarzan is also dressed this way. However, his costumes for the humans are passable.
Natasha Katz’s lighting, though far from her best effort, does give a sense of professionalism to the production.
Now onto the cast. What a disappointment! Josh Strickland as Tarzan is atrocious. His acting, or lack of it, is awful. His singing is constantly off key and his swingingdancing is unnoticeable. Jenn Gambatesse is also off kilter. Her English accent gets in the way of her performance and her off key croaking of her songs don’t help much either. Shuler Hensley could give a great performance. He seems to want to give one. However, his material is so bad, he can’t. His sub par performance was the best of the evening.
Tarzan may be the weakest new musical of the season. It’s, poorly written, poorly staged and designed and poorly performed.
Updated On: 4/7/07 at 11:31 PM