TITANIC had a well-documented troubled preview period. They originally wanted to open April 14, 1997, which would have been the 85th anniversary, but work continued and the opening postponed. When it finally opened, it got ONE favourable review. And Rosie O'Donnell had her talk show on then and she loved the show and kept plugging it, giving blocks of seats to her audience members. The Tony nominations helped boost ticket sales and the win ensured a long run, helped a great deal when the movie TITANIC came out the following December.
The show was problematic:
-too many characters and no central character to focus on.
-some scenic effects were spectacular but, some scenes that cried out for opulence were sadly inadequate (example: The main dining room.)
-the Director seemed to have spent all of his time working on the stage effects and leaving the cast to fend for themselves.
-the book and score spent much time trying to establish identities for the supporting characters but failed to give them much to play
I can easily understand some people hearing about the first act curtain (with a model of the ship sailing across to the rising crescendo of the orchestra. This was one of the most brilliant scenes in the whole show. How I wish that kind of imagination had been in effect throughout the rest.
Cast albums are NOT "soundtracks."
Live theatre does not use a "soundtrack." If it did, it wouldn't be live theatre!
I host a weekly one-hour radio program featuring cast album selections as well as songs by cabaret, jazz and theatre artists. The program, FRONT ROW CENTRE is heard Sundays 9 to 10 am and also Saturdays from 8 to 9 am (eastern times) on www.proudfm.com