Unintelligible LuPone
ScottyDoesn'tKnow2
Broadway Legend Joined: 1/22/14
#25Unintelligible LuPone
Posted: 8/30/18 at 7:59pm
gypsy101 said: "Patti sounds so fabulous it doesn’t really matter that the lyrics can’t be understood"
If I was the composer/lyricist/book writer/producer, I would think it mattered immensely. As someone who paid a ticket and wanted to follow the story, I would definitely think it mattered.
#26Unintelligible LuPone
Posted: 8/31/18 at 12:41am
Unintelligible LuPone has always been my favorite Christina Bianco impression
https://www.youtube.com/watch?v=SkXsB0kfa_o
#27Unintelligible LuPone
Posted: 8/31/18 at 8:34am
Most of the time, it isn't actually the diction itself. Often she is actually pronouncing more consonants than most singers, most notably at the end of a phrase.
Where Patti's distinct style comes in is where she places the sound, sliding it forward, spreading, scooping, that bends the line of the melody so much you lose the words.
And it should be noted, there are whole performances of her where this isn't a problem at all, even with accents.
Her Lovett (both Philharmonic and Bway) and her WOMAN ON THE VERGE performances use the accent to great effect, to bring out the words even more.
Woman on the Verge - Invisible
Worst Pies (Bway)
#28Unintelligible LuPone
Posted: 9/2/18 at 11:52am
I love Patti Lupone's work, but the Evita video from the Tony awards had me laughing out loud. THAT is funny.
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