William Finn is my #1 favorite musical theatre composer and lyricist of all time. I fell in love with March of the Falsettos years ago and have been hooked ever since. He's an acquired taste and not for everyone, but personally his work fascinates me like none other and always leaves me thinking.
His music has a way of being incredibly complex and very basic at the same time. He composes some of the strangest and most unique vocal and instrumental music, yet he manages to create memorable "hummable" melodies worthy of a pop score.
What really sets him apart from other talented double-threats (Sondheim, JRB, Schwartz on occasion) is the way he fuses his lyrics with the music. The language itself is the most literate you're likely to find in a Broadway libretto. He uses words, terms, phrases, and sentence structures I didn't think could be smoothly set to music. And the content itself can be hilarious, heartbreaking, vividly descriptive, or just effective storytelling depending on what's called for, and it is ALWAYS consistent with the character singing them. Sondheim is a great lyricist. William Finn at his best is a present-day bard.
Agreed he's written some not-so-great music (a good amount of New Brain) and not all of his lyrics are masterpieces, but I almost get the feeling that a lot of his bad lyrics are left that way on purpose, maybe to fit a character or set a tone.
My only complaint is that he isn't more prolific. I can't wait to see his new one! Anyone seen "Spelling Bee..." yet?
"The last train out of any station will not be full of nice guys."
- Dr. Hunter S. Thompson
"I wash my face, then drink beer, then I weep.
Say a prayer and induce insincere self-abuse,
till I'm fast asleep"- In Trousers