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What do you think is the most effective Act One CLOSING for a musical? — Page 3

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#52

re: What do you think is the most effective Act One CLOSING for a musical?

I haven't seen the film version of Funny Girl.. I was in our school's production of it about 3 weeks ago (high school musical). I was in Act I Scene 14 as the *Ticket Seller* (Scene with Don't Rain on My Parade). Yeah, I know-it's a huge part. A total of 2 (Yeah-two) lines.
"If it walks like a Parks, if it wobbles like a Parks, then it's definitely fat and nobody loves it." --MA
#54

re: What do you think is the most effective Act One CLOSING for a musical?

Hi Parks, :)

You haven't seen the film FUNNY GIRL?

Please report to your local Blockbuster Video IMMEDIATELY! :)
"I say YOU'RE the CUTEST one. No, I say YOU'RE the CUTEST One. And we go on like that from dawn to three."
#55

re: What do you think is the most effective Act One CLOSING for a musical?

Chicago
Damn Yankees
Wicked
Thoroughly Modern Millie
Dreamgirls
Beauty and the Beast
the Producers
"Grease," the fourth revival of the season, is the worst show in the history of theater and represents an unparalleled assault on Western civilization and its values. - Michael Reidel
#58

re: What do you think is the most effective Act One CLOSING for a musical?

Hi musicalmjk, :)

I'm pretty sure about this. A CHORUS LINE has no Act One closing. The show is presented "straight-through" with no intermission.

Anyone else have any thoughts on this?
"I say YOU'RE the CUTEST one. No, I say YOU'RE the CUTEST One. And we go on like that from dawn to three."
#63

re: What do you think is the most effective Act One CLOSING for a musical?

Of the ones mentioned so far, I'd go with Dreamgirls - at least in the way Mr. Bennett staged it (and ESPECIALLY with Jennifer singing Effie!)

Another one I like a lot that I haven't seen mentioned is Crazy For You.

Updated On: 10/10/04 at 08:47 AM

#64

re: What do you think is the most effective Act One CLOSING for a musical?

ONE DAY MORE! ( from Les Miserables)

- for sheer drama and heart-tugging moments, especially if you come from a country where something similar might have occured.


NOT THE BOY NEXT DOOR ( from The Boy from Oz)

- for sheer camp and joy in performing


CHITTY CHITTY BANG BANG ( West End)

- who can resist the sight of the flying car and its band of happy occupants?

Updated On: 10/11/04 at 08:56 AM

#66

re: What do you think is the most effective Act One CLOSING for a musical?

Hi DGrant, :)

Yes, DREAMGIRLS keeps on coming up again AND again in this thread!!!

I agree that the Act I closing was HEARTBREAKING and actually STRUCK A VERY POWERFUL EMOTIONAL CHORD.
"I say YOU'RE the CUTEST one. No, I say YOU'RE the CUTEST One. And we go on like that from dawn to three."
#67

re: What do you think is the most effective Act One CLOSING for a musical?

Mary_Ethel - You'll find that there's a rather rabid group of us Dreamgirls fans here re: What do you think is the most effective Act One CLOSING for a musical? Do a search on the title, you'll be surprised how much comes up - especially from people who got to see the original cast! (don't get Margo started on it re: What do you think is the most effective Act One CLOSING for a musical?)
#68

re: What do you think is the most effective Act One CLOSING for a musical?

Howdy DGrant, :)

I did see the original production of DREAMGIRLS and was MESMERIZED.

The performances, the scoring, the staging with the towers, ALL MAGNICIENT.

Do you ever think there will ever be a DREAMGIRLS movie?
"I say YOU'RE the CUTEST one. No, I say YOU'RE the CUTEST One. And we go on like that from dawn to three."
#69

re: What do you think is the most effective Act One CLOSING for a musical?

I'd vote for "Turkey Lurkey Time" from Promises, Promises... Act One ends on a note on poignancy for C.C. Baxter and then a Michael Bennett dance number to top all Michael Bennett dance numbers. Great stuff.
"Gif me the cobra jool!"
#73

re: What do you think is the most effective Act One CLOSING for a musical?

Magruder - my awareness of musical theatre is simply as an enthusiastic audience member (although, admittedly I've seen more than some have) - you obviously have a very solid academic understanding to back up your passion. My background is solely in staight plays - and pretty heavy on the classic side at that. A lot of the appreciation for the musical arena has come from partnering with a musician re: What do you think is the most effective Act One CLOSING for a musical?

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