I bought the DVD last week, and hit my third viewing today. Some final thoughts:
1) On repeat viewings, both Depp and Carter's performances grow in depth. I think better of Depp's performance now, but he's still too much of a "silent film villain" to take the complete emotional journey Sweeney is supposed to.
Saying that Carter's performance is the best in the film is more than an understatement: she blows everyone else out of the water. Her only problem is a mush-mouthiness with some of the lyrics.
2) It was a good idea for the DVD makers to include captions: I'm not sure most of the film would be intelligible if they weren't there. Mush-mouth-edness (especially on Carter's part) and too-soft whispering has been encouraged far too much.
3) The technical aspects, as to be expected on a Tim Burton film, provide some of the best parts of the film. The final image before the credits is so crushingly moving that it brings me to tears every time.
4) I don't quite understand the choice to give Mrs. Lovett some genuine feeling toward Toby. It's mildly touching to see her cry after shutting Toby in the bakehouse, but it doesn't jive with her status as a person "without any redeeming qualities".
With what Lovett does by the end of the movie, all the horrible things she's done, having her just be a shallow, evil creature would have been better.
FINALLY Tim Burton's SWEENEY TODD falls short of being a great film, thanks to Burton's sometimes-too-wild touches, "whisper-so-I-can't-hear-you"-ness, and a sloppy hand on the story that prevents the second act from throttling forward at full force. We'll just have to settle with an adaptation that is very good.
REALLY FINALLY For any BUFFY THE VAMPIRE SLAYER fans out there, Anthony Stewart Head (who plays Giles in the show) makes a very very very small appearance. See if you can find him.
"Y'know, I think Bertolt Brecht was rolling in his grave."
-Nellie McKay on the 2006 Broadway production of The Threepenny Opera, in which she played Polly Peachum
Updated On: 4/10/08 at 09:59 PM