I share your views, chernjam, about Sunset Boulevard. I am a great fan of both Wilder's film classic and ALWebber's stage musical. Together with Aspects of Love, the musical score of Sunset Blvd are my favorites from Lloyd-Webber.
I saw the show only twice ( both in London, with Betty Buckley and later on with Elaine Paige). It is a show that cannot be cast with someone who just has a great singing voice. Norma was a former silent pictures star ( so she must have the arresting face and screen/stage presence of that era), the right dramatic chops to pull off the acting requirements, and a sense of drama that commands the stage. I have also noticed that the casting focused mainly on the role of Norma. In the movie classic, the role of Joe Gillis was given a strong focus as the scene observer ( William Holden had top billing vs Gloria Swanson) - maybe that was part of the weaknesses of the stage musical?
I had also seen a very good documentary from Australian TV re the staging of the Australian production and showed a few clips of Debra Byrne ( who was very good casting for rhe role) performing in the show, together with other key roles/actors in the play.
This is not from the documentary but a recreation of THE PERFECT YEAR, as staged for an Australian TV show (with Debra and Hugh Jackman as Joe)--
http://www.youtube.com/watch?v=5TKkDgpylq0 What went wrong with the show? It was probably more to do with the whole drama going on behind the scenes ( from the Lupone, Dunaway, Close vis-a-vis Lloyd Webber debacles...and even Byrne's personal problems), together with the huge staging costs, which ended its initial starry premiere ( An advance sale of $ 37.5 million -- I do not know when Broadway will ever see that kind of money at the box office again.) to a show limping towards the end.
I still have the DVD of the movie, the CD of the London and Broadway cast recordings, the documentary from Australian TV, and the clips from ALWebber's 50th birthday celebration showing Glenn Close portraying the slightly mad Norma in one of her signature songs! I even got the Streisand CD where With One Look and As If We Never Said Goodbye debuted ahead of any other recording (there was buzz then that she was trying to work out with Lloyd Webber the first crack at a movie adaptation). So, Sunset Boulevard is not something that I have forgotten over the years.
I am hoping that eventually a film adaptation of the stage musical will happen. But as ALW says, it is really up to Paramount Pictures ( which owns the rights of the film classic) and he has not lost full hope that someday it will still happen. He did say in one interview that he thinks Sunset Boulevard was the most complete musical score that he has ever written.
Updated On: 3/10/14 at 05:57 AM