I actually loved the sets of the original Drury Lane production. After a year, the show transferred to a smaller house and the sets were scaled down considerably, substituting nostalgic Americana postcards for some of the original set pieces, which was underwhelming and added more kitsch than Crowley's signature stylistic flair that was more akin to his designs for Carousel. As for the score, to me, it was hardly "boilerplate". For me, Eastwick Knows, Make Him Mine, I Love a Little Town, Dirty Laundry, Waiting for the Music to Begin, Words Words Words, I Wish I May, Another Night at Darryl's and Look at Me were all immediately infectious, distinct, tuneful and perfect for the setting, style and story. I was hooked on the score from the CD before I even got the chance to see it. I found the show to be FAR superior to nearly all the flops that somehow still managed to open on Broadway in the new millennium, and better than some of the successes as well. If In My Life, Baby It's You, Honeymoon in Vegas, Soul Doctor, The People in the Picture, Good Vibrations, The Story of My Life, Adventures of Tom Sawyer, Rocky, Tuck Everlasting, Glory Days and Thou Shalt Not were able to find their way to Broadway productions, Witches of Eastwick was indeed good enough to be given a go, moreso than any of those and that's just scratching the surface.
"What can you expect from a bunch of seitan worshippers?" - Reginald Tresilian
Updated On: 7/7/17 at 02:08 PM