ETHEL MERMAN -
for a number or reasons:
1. She brings the most intesnse anger to the role of any of the ladies
2. The role was written for her and the songs tailored to her unique voice
3. Lansbury acted the hell out of it. Sondheim said in a recent interview that Ethel was better in the low comedy of the first act but Angela got the most out of the darker second act and the staging helped her make Rose's bows after "Rose's Turn" the fantasy in her head. BUT ... Angela's voice doesn't have the range or the belt of Merman and on the CD I hear her straining for some of the notes.
4. Daly was fantastic in the role and deserved her Tony (though her speech was a bit much!) But she is not in great voice on the recording.
5. Midler is too busy being Bette Midler to rally bring Rose to life.
6. Russell can't sing it and makes her Rose into Auntie Mame's cousin. Still the movie isn't as bad as some people caliam and Natalie Wood makes a plausible Gypsy.
7. Peters, like Lansbury, has a smaller voice but she also acted the hell out of it. Her "Rose's Turn" thankfully shown almost complete on the 2003 Tonys was brilliant. (her understudy was even better in the role, but lacked the requisite Box Office appeal.)
Ethel Merman's "belt" bothers some people but I can't think of any role where it is more appropriate. What a concept: Cast Miss Merman (a loud pushy dame) as Rose (A loud pushy dame!)
You want a test of the role: Listen to the spoken line in "Some People" ("Then I'll get it someplace else. But I'll get it! And get my kids OUT!!") Listen to Merman's reading of the line and compare with all the other versions and you'll see what I mean.
Cast albums are NOT "soundtracks."
Live theatre does not use a "soundtrack." If it did, it wouldn't be live theatre!
I host a weekly one-hour radio program featuring cast album selections as well as songs by cabaret, jazz and theatre artists. The program, FRONT ROW CENTRE is heard Sundays 9 to 10 am and also Saturdays from 8 to 9 am (eastern times) on www.proudfm.com