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#1

question re: being miscast

A thread here has addressed performers being miscast in roles. Assuming a performer is miscast, what is your take on that? If someone is, do they know it? If they know it, why would they take the role? If they don't, what is it like to be part of the production?

And while I'm here, those of you who go to multiple (9? 12?) performances of a show or shows, how do you do that? Do you work there? Are you independently wealthy?

#2

question re: being miscast

1. There is no one answer. I'm guessing few realize it upon being cast - remember, they have a gaggle of peeps around them trying to bolster their confidence. Some only realize it upon reviews and chatter. Others never do - and just feel they weren't good enough. When it must be the most difficult is when the rest of the cast knows it - but you would HOPE they were professional enough to not let it show.



2. I see LOTS of shows. SOME of them I re visit....maybe 3 or 4 times. I don't travel, I don't buy fancy clothes, furniture or jewelry. I spend my hard earned money on what makes me happy theater.


If we're not having fun, then why are we doing it? These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.
#3

question re: being miscast

People in all sorts of professions take jobs for which they ultimately aren't the best fit and for a variety of reasons: money, timing, excitement about the opportunity, overly confident about their own skills, peers who tell them they would be great, they are pursued by headhunters, or "fake it till you make it" syndrome.

I imagine many of those reasons are also true for actors.

And sometimes you don't know you're not the best fit until the job actually gets under way.

#4

question re: being miscast

I had a horrible experience being miscast. It was the starring role in a professional, regional theatre production. I thought I was right for the role, and apparently so did the director. I received a lot of support from my fellow cast members as well. Two days before opening, the Artistic Director, who didn’t bother to show her face though the entire production process, showed up to final dress. Afterward, the director pulled me aside to tell me that the AD hated everything I was doing and that she wanted the director and I to work together over the next two days to take my character in a totally different direction, but she didn’t give any specifics as to what that direction was. I was so frustrated and confused by the time opening night came around. I remember making my first entrance, and I felt like someone put my script through a paper shredder, shoved the remnants in my one hand while shoving a roll of scotch tape in my other then shoving me out on stage. Throughout the run, the artistic director would come backstage during performances at intermission with alcohol on her breath to try to give me notes, which is highly inappropriate. On my birthday, which was during the run, I made myself a big breakfast, turned on NPR just in time to catch a review of the show which the critic read live on air. I believe the beginning of her critique began “(My name) who seems to think he can act…” That was a great birthday.

#5

question re: being miscast

I had the misfortune of being miscast as Gaetano Proclo in a regional production of THE RITZ about 25 years ago. I did everything I could to make myself believable in the role but the bottom line was that a 5'10" man with an MA in Victorian Literature should not have been cast as a dumpy garbage collector from New Jersey. I used a character voice but it came off as cartoonish, rather than genuine. I just shouldn't have been cast in that role and asked to be replaced but the director and producer insisted I was fine. Although I had the last curtain call, the applause decidedly dropped as I took my bow. It hurt but I knew why.

As for seeing shows multiple times: I am proud to say I have seen HELLO, DOLLY! 94 times since 1964.Ticket prices were more reasonable during it's original run, so that wasn't much of a problem. During the recent revival, I bought full price tickets once in a while but mostly bought my tickets through TDF at a 75% discount, or stood through the show. I did look into ushering for the show but the Shubert Organization couldn't guarantee that I'd be assigned to the theater where DOLLY! was playing.


"Long live God!" (GODSPELL)

Updated On: 4/1/22 at 11:19 AM

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